open source audio identification
MusicBrainz recording
Blue, Turning Grey Over You
Louis Armstrong & His Orchestra
3:30
studio, 1930-02-01; matrix W 403715-B
827f789e-e663-420d-80c6-13cfd846878d
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
280
linking them to it
Fingerprints
37
distinct audio files
Duration
2:03–4:44
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e38989d6-41f5-4886-ac1f-e41ff150fdaa
Also linked to
No One Else but You by Louis Armstrong and His Savoy Ballroom Five
|
3 | 3:29–3:32 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B | e8558e42-a1e2-4ea8-8774-5ff91441c754 | 3 | 3:29–3:31 | |||||||||||||||||||||||
| C |
8680cf3b-d63e-419c-a512-659e7a6e8519
Also linked to
Blue Turning Grey Over You by Louis Armstrong
|
7 | 3:30–3:33 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
096c7288-5272-4508-b842-43f64a7a5984
Also linked to
Blue, Turning Grey Over You by Louis Armstrong, Blue, Turning Grey Over You by Louis Armstrong and
|
9 | 3:26–3:30 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 0acca1da-753c-435b-8f55-59bda62e0d97 | 2 | 3:27 | |||||||||||||||||||||||
| F | e0daffa5-6941-48e9-b39c-46f593e69a85 | 4 | 3:31–3:33 | |||||||||||||||||||||||
| G | 00e8ad5a-c88d-4168-914c-bdb04339849e | 1 | 4:06 | |||||||||||||||||||||||
| H | 368c4dcb-d6c3-439e-860c-2c1c50f3e24d | 1 | 3:26 | |||||||||||||||||||||||
| I |
6409b2e6-c080-4db0-a660-03a6ca69c44a
Also linked to
Blue, Turning Grey Over You by PCB
|
1 | 3:30 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 15bad249-e405-47ef-bd28-7c3dd53b132b | 2 | 3:29 | |||||||||||||||||||||||
| K | 041e5f8f-34ec-4265-930f-218d8443cb4a | 1 | 2:03 | |||||||||||||||||||||||
| L |
936de0d1-20eb-41e3-8968-341dae6ec28a
Also linked to
Blue Turning Grey Over You by Louis Armstrong
|
3 | 4:40–4:44 | |||||||||||||||||||||||
|
Recordings linked to L
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.60 | 0.55 | 0.43 | 0.00 | 0.00 | 0.96 | 0.00 | 0.00 | 0.00 | 0.40 | 0.00 |
| B | 0.60 | — | 0.45 | 0.57 | 0.32 | 0.00 | 0.66 | 0.00 | 0.00 | 0.00 | 0.54 | 0.00 |
| C | 0.55 | 0.45 | — | 0.00 | 0.00 | 0.00 | 0.56 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.43 | 0.57 | 0.00 | — | 0.42 | 0.00 | 0.37 | 0.00 | 0.00 | 0.00 | 0.71 | 0.00 |
| E | 0.00 | 0.32 | 0.00 | 0.42 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.49 | 0.48 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.96 | 0.66 | 0.56 | 0.37 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.35 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.49 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.40 | 0.54 | 0.00 | 0.71 | 0.48 | 0.00 | 0.35 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |