open source audio identification
MusicBrainz recording
Be‐Bop‐A‐Lula
John Lennon
2:37
original studio mix
81b36b94-2dcf-4e93-8a0d-27df6e0a76c3
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
731
linking them to it
Fingerprints
36
distinct audio files
Duration
2:35–2:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e3f3eff8-20b3-4652-94d4-25c34f9030e0
Also linked to
Be‐Bop‐A‐Lula by John Lennon, Be‐Bop‐A‐Lula by John Lennon and
|
16 | 2:36–2:38 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
e304ef5a-ab04-4ab6-8041-5db6ac7771d1
Also linked to
Be Bop a Lula by John Lennon, Be‐Bop‐A‐Lula by John Lennon
|
4 | 2:40–2:41 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
d899e193-0bae-4f7f-b643-62050fb94caa
Also linked to
Be‐Bop‐A‐Lula by John Lennon, Be-Bop-A-Lula by John Lennon
|
4 | 2:38–2:40 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
cf8f06ac-d579-464f-8876-20efbae12790
Also linked to
Be Bop a Lula by John Lennon
|
4 | 2:53–2:54 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
1c399c4c-6db0-4025-b1d6-09c906e0868a
Also linked to
Be‐Bop‐A‐Lula by Gene Vincent & His Blue Caps
|
1 | 2:36 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 86a3c805-041c-403c-ad6b-a84a37229388 | 3 | 2:35–2:38 | |||||||||||||||||||||||
| G | d2e277bf-a696-44ae-ad96-5b375ef79fab | 1 | 2:39 | |||||||||||||||||||||||
| H | 915db816-d4c4-451c-bb0e-5e6979c9301b | 1 | 2:37 | |||||||||||||||||||||||
| I | 587debaf-26ef-4418-9017-f97bf29df206 | 1 | 2:37 | |||||||||||||||||||||||
| J | 22ada6b1-1285-4076-8510-416856d5b9f1 | 1 | 2:39 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 | 0.62 | 0.73 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.60 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.48 | 0.48 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.64 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.62 | 0.00 | 0.48 | 0.00 | 0.00 | 0.64 | 0.00 | — | 0.53 | 0.00 |
| I | 0.73 | 0.00 | 0.48 | 0.00 | 0.00 | 0.00 | 0.00 | 0.53 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |