open source audio identification
MusicBrainz recording
I’m the Man
Fabolous feat. Red Café
3:28
816c0b72-70e9-4abd-b3d6-44bdee6e6f33
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
233
linking them to it
Fingerprints
26
distinct audio files
Duration
3:19–3:58
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | cfc8d327-f7e8-457a-9ee4-74f6983a6712 | 5 | 3:28 | |||||||||||||||||||||||
| B | aed90a02-77e8-4205-951d-a5a5f2bddca9 | 1 | 3:58 | |||||||||||||||||||||||
| C | d9c109a5-b027-4f39-b16e-2e74806e9d82 | 1 | 3:36 | |||||||||||||||||||||||
| D |
3f345cba-4152-40fb-a9e5-92d834a0a8cb
Also linked to
In My Head by Jason Derülo
|
2 | 3:19–3:21 | |||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||
| E | c1d02e1f-1834-4c89-9ac8-fc80b18cbf1d | 5 | 3:22–3:28 | |||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||
| F | b3716d60-5972-4dbe-be53-8b8cdce04e30 | 1 | 3:29 | |||||||||||||||||||||||
| G | e0086ccd-576d-4e98-aed5-a963e3636973 | 1 | 3:32 | |||||||||||||||||||||||
| H |
45cacfba-13ac-49ea-8970-a58366765b4a
Also linked to
Da Hottest in Da Hood by Red Café, Da bin ich by Manfred Maurenbrecher
|
4 | 3:28–3:29 | |||||||||||||||||||||||
|
Recordings linked to H
|
||||||||||||||||||||||||||
| I | fd11df3c-82d8-48a8-8cf6-6a468b0e988c | 1 | 3:28 | |||||||||||||||||||||||
| J | b3dc6a5d-cbc0-46bc-9780-741129043b81 | 2 | 3:37–3:44 | |||||||||||||||||||||||
| K | b5bdd924-4df4-4c20-83e6-3d484af5faf7 | 1 | 3:28 | |||||||||||||||||||||||
| L |
abfa3cec-3717-438b-8ab5-6fc65a58e653
Also linked to
Still Can’t Deny It by Clinton Sparks feat. Fabolous & XL
|
2 | 3:19–3:20 | |||||||||||||||||||||||
|
Recordings linked to L
|
||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.93 | 0.93 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.93 | — | 1.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.93 | 1.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 1.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.93 | 0.00 | 0.00 | 0.80 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.93 | 0.00 | — | 0.00 | 0.00 | 0.79 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.80 | 0.00 | 0.79 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 1.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |