MusicBrainz recording
Shed a Little Light
James Taylor
4:33
live, (Live)
812551e1-0c19-4ae5-ad26-64725a868fc0
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
425
linking them to it
Fingerprints
20
distinct audio files
Duration
4:16–6:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
535c3d78-d9b6-492d-9ba1-5b331f547c9a
Also linked to
Shed a Little Light by James Taylor, Shed a Little Light by James Taylor
|
5 | 4:32–4:33 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
5108712f-a7ba-4b1c-b94d-4a65ffb14729
Also linked to
Shed a Little Light by James Taylor, Shed a Little Light by James Taylor and
|
3 | 4:16–4:17 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 7aa01498-f6a3-4565-8b9d-28cdc5d0fc5a | 1 | 4:32 | ||||||||||||||||||||||||||||
| D | 3798551a-fff4-48d1-8889-c339db419155 | 2 | 4:41 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
4fc8892f-57ff-43c7-b483-171c7b64391d
Also linked to
Bad Case of Love (live at B.B. King Blues Club) by B.B. King, Bad Case of Love by B.B. King and
|
2 | 4:28–4:30 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
0c9e02c1-cd93-4da6-be6f-9dee39a7ebbb
Also linked to
Shed a Little Light by James Taylor
|
2 | 4:19–4:20 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
06d24bf8-4321-4d55-a404-3936acc9b60e
Also linked to
Wenn sie diesen Tango hört by Pur, Wenn sie diesen Tango hört by Pur and
|
4 | 6:29–6:33 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 0da14983-cc9d-48a8-9e71-89bb138ec4b3 | 1 | 4:31 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.95 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.95 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |