open source audio identification
MusicBrainz recording
Bookends Theme
Simon & Garfunkel
1:23
803b475e-2e99-4f26-87f1-fcd9be308f1c
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
53
linking them to it
Fingerprints
54
distinct audio files
Duration
1:17–1:27
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
9edbf2e1-9766-4fcb-96d7-968c291f6fbd
Also linked to
Bookends Theme by Simon & Garfunkel, Bookends by Simon & Garfunkel and
|
24 | 1:19–1:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
7b623007-90cd-4e2c-9d9f-b20d84ead684
Also linked to
Bookends Theme by Simon & Garfunkel, Bookends by Simon & Garfunkel
|
5 | 1:21–1:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
0885e5c4-8f7c-4341-afe5-d70bcd42bfd9
Also linked to
Bookends Theme by Simon & Garfunkel, Bookends by Simon & Garfunkel and
|
17 | 1:17–1:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
dbd878ed-c85d-4578-b676-78e3ac669399
Also linked to
Bookends Theme by Simon & Garfunkel
|
5 | 1:21–1:27 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| E |
1fd11544-8520-42fb-85fd-3f615adf8b2d
Also linked to
Bookends Theme by Simon & Garfunkel, Bookends Theme by Simon & Garfunkel
|
3 | 1:23–1:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.