open source audio identification
MusicBrainz recording
Breakfast at Tiffany's
Deep Blue Something
4:17
7fddca56-5d1f-4b46-b5f2-a21f157bfe8f
View on MusicBrainz →
AcoustIDs
3
linked to this recording
Submissions
13
linking them to it
Fingerprints
51
distinct audio files
Duration
4:12–4:26
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
838fc275-e00c-4b21-b45d-37939b0d8505
Also linked to
Breakfast at Tiffany’s by Deep Blue Something, Breakfast at Tiffany’s by Deep Blue Something and
|
31 | 4:12–4:20 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
61ba9286-4f8f-41e2-bcab-87537f143e2c
Also linked to
Breakfast at Tiffany’s by Deep Blue Something, Breakfast at Tiffany’s by Deep Blue Something and
|
15 | 4:14–4:26 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
85dfd5a2-12a7-47b7-b3f1-f156b678c1cc
Also linked to
Breakfast at Tiffany’s by Deep Blue Something, Breakfast at Tiffany’s by Deep Blue Something and
|
5 | 4:17–4:22 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.