open source audio identification
MusicBrainz recording
Rebel Yell
Billy Idol
4:45
7f52bce7-f2ff-4d2c-a580-89801ce30b7d
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
51
linking them to it
Fingerprints
103
distinct audio files
Duration
4:42–4:52
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
eaea1a73-b751-467c-a509-9dab46960d37
Also linked to
Rebel Yell by Billy Idol, Rebel Yell by Billy Idol and
|
11 | 4:46–4:49 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
9abee1ec-94d4-4ce2-8155-3f49fac1d59a
Also linked to
Rebel Yell by Billy Idol, Rebel Yell by Billy Idol and
|
11 | 4:45–4:52 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
4d8ba94c-17a2-466f-ab8b-6204651a5277
Also linked to
Rebel Yell by Billy Idol, Rebel Yell by Billy Idol and
|
69 | 4:44–4:51 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
73c65043-0bbb-4fdf-91ef-6ad6657636d4
Also linked to
Rebel Yell by Billy Idol, Rebel Yell by Billy Idol and
|
12 | 4:42–4:49 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.