open source audio identification
MusicBrainz recording
Riot in Cell Block Number Nine
Blues Brothers
3:31
live, 1980-07-26 - 08-01: Universal Amphitheatre, Los Angeles, California, USA
7e49ab6d-9f31-47b1-9d2c-175ef18540e5
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
1,173
linking them to it
Fingerprints
26
distinct audio files
Duration
1:44–3:42
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
aa48c663-6324-4125-bab2-6dcefb0d4cfe
Also linked to
Riot in Cell Block Number Nine by Blues Brothers, Jailhouse Rock by Blues Brothers and
|
9 | 3:27–3:32 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
e4810d7a-1e9b-4409-bab8-d71fa78207c9
Also linked to
Riot in Cell Block Number Nine by Blues Brothers, Riot in Cell Block Number Nine by Blues Brothers
|
6 | 3:19–3:25 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 755447c9-5a6e-49b2-ab27-d1d1a230e5d5 | 2 | 3:24 | |||||||||||||||||||||||||||||||||
| D | ce2f804d-d8fd-4a74-b551-9e7e8fc72f25 | 1 | 3:29 | |||||||||||||||||||||||||||||||||
| E | 20e9895a-e015-4b3f-ab2f-8b0624f93a15 | 1 | 3:32 | |||||||||||||||||||||||||||||||||
| F | 7f932de5-75ad-46da-a634-2b1bb295a4b4 | 1 | 1:44 | |||||||||||||||||||||||||||||||||
| G | 1dc42d64-ad82-4fa4-98a5-6cec528a87c1 | 1 | 3:38 | |||||||||||||||||||||||||||||||||
| H | 3b24dc39-c2f9-44a7-87a0-392933cd9bfb | 2 | 3:24–3:29 | |||||||||||||||||||||||||||||||||
| I | 8dfbc090-a01b-4def-a9a5-ba5b40936940 | 1 | 3:21 | |||||||||||||||||||||||||||||||||
| J | 92916bf3-a98c-4953-915a-e63387edac18 | 1 | 3:33 | |||||||||||||||||||||||||||||||||
| K | b29ed876-eaae-40e1-9204-a45b252ed510 | 1 | 3:42 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.92 | 0.78 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.43 | 0.00 | 0.91 |
| B | 0.92 | — | 0.73 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.41 | 0.00 | 0.87 |
| C | 0.78 | 0.73 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.45 | 0.00 | 0.77 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.18 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.43 | 0.41 | 0.45 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.44 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.18 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.91 | 0.87 | 0.77 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.44 | 0.00 | — |