MusicBrainz recording
Fall in Love With Me
Earth, Wind & Fire
5:24
7cf412ef-c4a9-462e-8f2e-b92682c903a1
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
285
linking them to it
Fingerprints
83
distinct audio files
Duration
3:46–5:57
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
15d6de88-e804-4c09-abfc-001b44907d81
Also linked to
Fall in Love With Me by Earth, Wind & Fire, Fall in Love With Me by Earth, Wind & Fire and
|
3 | 5:24–5:25 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
f3c7cb3b-89a2-4f27-a7e1-b9fe6ea08df4
Also linked to
Fall in Love With Me by Earth, Wind & Fire
|
2 | 5:17 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
|
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| C |
b2b1482f-5f24-42fb-822d-7d6f98f642aa
Also linked to
Fall in Love With Me by Earth, Wind & Fire, Fall in Love With Me by Earth, Wind & Fire and
|
30 | 5:51–5:57 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 8c45c694-afe7-4abd-bb10-913684d17666 | 1 | 5:22 | |||||||||||||||||||||||||||||||||||||||||||
| E |
8d0c3907-0feb-42ab-945a-27afd59b5520
Also linked to
Serpentine Fire by Earth, Wind & Fire, Serpentine Fire by Earth, Wind & Fire and
|
43 | 3:46–3:53 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to E
|
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| F | 686a0108-5ad3-4353-8cdf-fa0c12729695 | 2 | 5:10–5:11 | |||||||||||||||||||||||||||||||||||||||||||
| G |
048a6e4e-69eb-4380-a7ce-7b35aab37550
Also linked to
I Will Be Here Love Game (Mash-Up mix) by Lady Gaga vs. Tiesto & Sneaky Sound System
|
2 | 5:24 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.