open source audio identification
MusicBrainz recording
The Blues Is Just a Bad Dream
James Taylor
3:43
7ce17d52-c5f0-4040-80af-d7b369160ece
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
260
linking them to it
Fingerprints
67
distinct audio files
Duration
3:31–5:22
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 1ccbae9b-229d-4a87-8771-9e411af9d67a | 4 | 3:42–3:43 | |||||||||||||||||||||||||||||||||
| B | 6a2672c8-37d5-4d3e-b093-4673e09ea51d | 2 | 3:51–3:53 | |||||||||||||||||||||||||||||||||
| C |
4642ec6d-69c4-48c4-8c78-9133fe855a86
Also linked to
Steamroller by James Taylor, Human Touch by Bruce Springsteen and
|
11 | 5:17–5:22 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
5125519c-2420-41f7-b6d4-2ed5deb86f05
Also linked to
How Sweet It Is (to Be Loved by You) by James Taylor, Slam (radio edit) by Pendulum
|
15 | 3:32–3:39 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
ce9cdc69-12ca-461a-bfa9-574fa8b1db46
Also linked to
Bittersweet by James Taylor, Free Fall Melody by Shiny Toy Guns
|
4 | 3:44 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
e89e2525-49b6-4e67-9e38-a1472a46f6c5
Also linked to
How Sweet It Is (to Be Loved by You) by James Taylor, You Might Need Somebody by Turley Richards and
|
26 | 3:31–3:38 | |||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | c1ca7c1f-9233-4583-b99f-3da12e1e5c18 | 3 | 3:41–3:45 | |||||||||||||||||||||||||||||||||
| H | 97db5a42-884c-4974-adb6-2b803c9f0d03 | 1 | 3:53 | |||||||||||||||||||||||||||||||||
| I | 4d0d93dd-8767-4d9a-8f02-faf151aa59c4 | 1 | 3:43 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.84 | 0.00 | 0.00 | 0.00 | 0.00 | 0.58 | 0.00 | 0.00 |
| B | 0.84 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.53 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.58 | 0.53 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.82 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.82 | — |