AcoustID open source audio identification
MusicBrainz recording

Home for the Holidays

Perry Como with Mitchell Ayres and His Orchestra and the Ray Charles Singers 2:57 1959 recording, stereo
79b388da-e4c0-4bce-9e69-c3234db141ba View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
637
linking them to it
Fingerprints
215
distinct audio files
Duration
2:47–3:09
range of submitted files

AcoustIDs

Most submitted first, 7 disabled
Show 7 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 6ba170c4-7934-4633-ac18-87c3b629f277
Also linked to (There’s No Place Like) Home for the Holidays by Perry Como with Mitchell Ayres and His Orchestra, Home for the Holidays by Perry Como and
30 2:54–3:01
572
B 2af36823-c32c-4ebf-a12b-5debc5cee8ba
Also linked to (There’s No Place Like) Home for the Holidays by Perry Como, (There’s No Place Like) Home for the Holidays by Perry Como with Mitch Ayres and His Orchestra and
17 2:50–2:57
52
C db5616d7-3b9b-4089-ae4f-2ab9fbdce5bf 2 2:47–2:50
3
D 8eb3e087-f696-40ad-9d6f-62db89032344
Also linked to (There’s No Place Like) Home for the Holidays by Perry Como, Home for the Holidays by Perry Como
6 2:56–3:01
3
E 17ca71bd-9639-4f9a-b18d-0746e74d1db2 3 2:52–2:59
2
F 039fe5a7-b40c-45e9-99c7-bfd1d02c604e 3 2:55–2:57
1
G a86b3a20-2928-4c47-aa98-c06ea83dba5a
Also linked to Frosty the Snowman by Gene Autry with The Cass County Boys, Orchestra under the direction of Carl Cotner, Snow by Bing Crosby, Danny Kaye, Peggy Lee, Trudy Stevens with Orchestra and Chorus and
20 2:50–2:54
1
H b0a063bc-825e-4a8e-90f5-8e7dc9b2bf8c 1 2:58
1
I b1088ffd-d6c3-48b7-a9ff-bfcf5eb33bb2
Also linked to (There’s No Place Like) Home for the Holidays by Perry Como, (There's No Place Like) Home For The Holidays by Perry Como
1 2:49
1
J 523401d8-3def-41de-b0a6-691a4c2f7c62
Also linked to White Christmas by Bing Crosby, White Christmas by Bing Crosby with Ken Darby Singers and John Scott Trotter and His Orchestra and
132 3:00–3:09
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.

ABCDEFGHIJ
A — 0.00 0.00 0.00 0.49 0.00 0.00 0.00 0.00 0.00
B 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00 0.84 0.00
C 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00 0.00
D 0.00 0.00 0.00 — 0.00 0.00 0.00 0.00 0.00 0.00
E 0.49 0.00 0.00 0.00 — 0.59 0.00 0.00 0.00 0.00
F 0.00 0.00 0.00 0.00 0.59 — 0.00 0.00 0.00 0.00
G 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00 0.00
H 0.00 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00 0.00
I 0.00 0.84 0.00 0.00 0.00 0.00 0.00 0.00 — 0.00
J 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 0.00 —