MusicBrainz recording
Insatiable
Darren Hayes
5:12
78e6cd74-8ac9-4d2b-94af-146dba72bc7f
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
674
linking them to it
Fingerprints
21
distinct audio files
Duration
4:51–5:16
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
41f6c49f-fe39-498c-a9bb-063ae0073014
Also linked to
Insatiable by Darren Hayes, Insatiable (album version) by Darren Hayes and
|
8 | 5:07–5:12 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||
| B |
9cfe09de-7637-425e-a276-e7d4d1df17a0
Also linked to
Let It Be by Joe Cocker, Sunshine on My Shoulders by John Denver and
|
1 | 5:16 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||
| C |
4af8dcbb-cf1d-4543-a561-2d2755316590
Also linked to
Insatiable by Darren Hayes, Insatiable by Darren Hayes and
|
6 | 4:51–5:04 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||
| D | e0a7f0c4-743f-467c-b6ed-ff3c7d8a9b6c | 1 | 5:10 | |||||||||||||||||||||||||||||||||||||||||||
| E | 39c167ce-022b-445c-aedc-ed7205460ea7 | 1 | 5:10 | |||||||||||||||||||||||||||||||||||||||||||
| F |
18d9abd0-f635-4eda-b510-c4a3d871795d
Also linked to
Insatiable by Darren Hayes, Insatiable by Darren Hayes and
|
3 | 5:01–5:07 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
||||||||||||||||||||||||||||||||||||||||||||||
| G | 86e8e787-7775-472a-b0d8-6194be84e6ff | 1 | 5:10 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.