MusicBrainz recording
Long as I Can See the Light
Creedence Clearwater Revival
live
78a6aeb6-a5f8-4181-ba8e-19254ea7edaf
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
14
linking them to it
Fingerprints
116
distinct audio files
Duration
1:47–19:37
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
e2d47728-bed9-4dad-bd14-43856c195c19
Also linked to
Long as I Can See the Light by Creedence Clearwater Revival, Long as I Can See the Light by Creedence Clearwater Revisited
|
20 | 3:33–3:40 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| B | a7fe3388-78a4-4b0d-b67b-16e3e52786e4 | 1 | 3:41 | ||||||||||||||||||||||||||||||||||||||||||||||||
| C |
84381eb3-e6b5-4d54-940d-a304f5a69363
Also linked to
I Heard It Through the Grapevine by Creedence Clearwater Revival, I Heard It Through the Grapevine by Creedence Clearwater Revival and
|
46 | 11:00–11:09 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
08bff9e4-87df-4248-a903-22d5f4493439
Also linked to
Long as I Can See the Light by Creedence Clearwater Revival, As Long as I Can See the Light by Creedence Clearwater Revival and
|
47 | 3:30–3:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 751ab3e0-3187-40b0-856b-27b4b4ff43a5 | 1 | 1:47 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | 94c87796-0691-4e2f-90da-cd07022bc5ec | 1 | 19:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.