open source audio identification
MusicBrainz recording
You're My #1
Enrique Iglesias
4:30
solo version
780c2c77-6d11-4faa-b1b5-9747e97e2113
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
658
linking them to it
Fingerprints
49
distinct audio files
Duration
4:01–4:45
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
107e6b58-e5dd-481f-8aa8-2b2f2f4cfc5f
Also linked to
You’re My Number One by Enrique Iglesias, You're My #1 by Enrique Iglesias e Sandy & Junior and
|
12 | 4:27–4:30 | |||||||||||||||||||||||
|
Recordings linked to A
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| B | 173bd11b-1dd3-450c-9709-031fb6e5cfa9 | 10 | 4:30–4:37 | |||||||||||||||||||||||
|
Recordings linked to B
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| C |
82aa65a0-6031-4673-a9b7-e3056db0532c
Also linked to
You’re My #1 by Alsou & Enrique Iglesias, You're My №1 (Русская версия) by Enrique Iglesias & Alsou and
|
7 | 4:35–4:40 | |||||||||||||||||||||||
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Recordings linked to C
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| D |
ababe6ec-09fb-4420-996b-d9ee3845f8f8
Also linked to
You’re My #1 by Alsou & Enrique Iglesias, You Are My No. 1 by 許茹芸 and
|
5 | 4:27–4:32 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 2aecde9f-ac33-45b9-9ddc-6c8722f2b6ca | 2 | 4:25–4:28 | |||||||||||||||||||||||
| F |
4748488f-6c1b-4582-941c-34207ce37466
Also linked to
Tired of Being Sorry by Enrique Iglesias, House Of Mystic Lights by C.C.Catch
|
7 | 4:01–4:03 | |||||||||||||||||||||||
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Recordings linked to F
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| G |
afc24438-33ce-4db7-8f6e-77e234ad1e13
Also linked to
You Are My No. 1 by 許茹芸
|
3 | 4:28–4:30 | |||||||||||||||||||||||
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Recordings linked to G
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| H | 6dd36a57-5c43-419a-9039-8aa6dbce1c2f | 1 | 4:36 | |||||||||||||||||||||||
| I | 924ec8a4-06d6-4d5f-82ca-5bc4002483ac | 1 | 4:29 | |||||||||||||||||||||||
| J | 89c7a4ba-bc01-44ed-975a-01a520472a36 | 1 | 4:45 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.63 | 0.69 | 0.00 | 0.00 | 0.67 | 0.66 | 0.00 | 0.85 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.63 | 0.00 | — | 0.71 | 0.78 | 0.00 | 0.56 | 0.57 | 0.00 | 0.65 |
| D | 0.69 | 0.00 | 0.71 | — | 0.68 | 0.00 | 0.58 | 0.60 | 0.00 | 0.69 |
| E | 0.00 | 0.00 | 0.78 | 0.68 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.67 | 0.00 | 0.56 | 0.58 | 0.00 | 0.00 | — | 0.91 | 0.00 | 0.69 |
| H | 0.66 | 0.00 | 0.57 | 0.60 | 0.00 | 0.00 | 0.91 | — | 0.00 | 0.71 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.85 | 0.00 | 0.65 | 0.69 | 0.57 | 0.00 | 0.69 | 0.71 | 0.00 | — |