open source audio identification
MusicBrainz recording
She’s About a Mover
The Sir Douglas Quintet
2:22
77d45cd9-9f93-490e-8ae5-5a1c1a986df9
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
69
linking them to it
Fingerprints
74
distinct audio files
Duration
2:20–2:29
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
91a70a4d-677a-445b-9680-114aba6be510
Also linked to
She's About a Mover by The Sir Douglas Quintet, She’s About a Mover by The Sir Douglas Quintet and
|
15 | 2:21–2:25 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
9a67a56d-9b53-4741-bd3b-e9b88a8e7323
Also linked to
She’s About a Mover by The Sir Douglas Quintet, She’s About a Mover by The Sir Douglas Quintet and
|
10 | 2:20–2:24 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
|
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| C |
8520d899-a616-489b-9242-093f6de16442
Also linked to
Just a Little (single version) by The Beau Brummels, She’s About a Mover by The Sir Douglas Quintet and
|
5 | 2:25–2:29 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D |
dccc3641-6d42-487e-93b5-ed365cf20021
Also linked to
She’s About a Mover by The Sir Douglas Quintet, She’s About a Mover by The Sir Douglas Quintet and
|
44 | 2:20–2:25 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to D
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.