open source audio identification
MusicBrainz recording
Because of You
Tony Bennett
3:00
765e8983-159b-402a-9fe3-ddfc3a4554df
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
917
linking them to it
Fingerprints
96
distinct audio files
Duration
2:55–4:08
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
115520a1-d838-4f01-b337-3e645930e037
Also linked to
Because of You by Tony Bennett, Because of You by Tony Bennett and
|
33 | 2:56–3:02 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
10f001be-5629-43d8-a847-633dd402c76c
Also linked to
Love Really Hurts Without You by Billy Ocean, Because of You by Tony Bennett
|
8 | 3:00–3:03 | |||||||||||||||||||||||||||||||||
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Recordings linked to B
|
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| C |
8cc87811-218e-4007-b1f3-955740fe0034
Also linked to
Because of You by Tony Bennett, Because of You by Tony Bennett
|
35 | 2:58–3:05 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
|
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| D | 654996c7-840a-4bc4-8231-1dd848e136d5 | 7 | 2:55–2:59 | |||||||||||||||||||||||||||||||||
| E | 64b18ac1-a91f-4bd7-86ee-a095a0bfdab2 | 5 | 3:00–3:02 | |||||||||||||||||||||||||||||||||
| F | 498cc449-2b41-48f1-bb4b-4a41f16dce1c | 1 | 2:59 | |||||||||||||||||||||||||||||||||
| G | c61973d9-9441-4e88-af50-a42363c12286 | 1 | 2:57 | |||||||||||||||||||||||||||||||||
| H | bf5308d9-292e-4a38-aea3-0f8770267da3 | 1 | 3:01 | |||||||||||||||||||||||||||||||||
| I | e61e11f2-87f5-4376-9481-d641c615d966 | 1 | 3:02 | |||||||||||||||||||||||||||||||||
| J |
93945fb9-8f88-4831-8d5d-9fe9db882828
Also linked to
Because of You by Tony Bennett duet with k.d. lang
|
3 | 4:04–4:08 | |||||||||||||||||||||||||||||||||
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Recordings linked to J
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| K | 3cecb17a-b1ba-41c4-b26e-83f4672f9735 | 1 | 3:01 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.65 | 0.00 | 0.00 | 0.00 | 0.00 | 0.50 | 0.00 | 0.46 |
| B | 0.00 | — | 0.88 | 0.00 | 0.00 | 0.60 | 0.00 | 0.00 | 0.49 | 0.00 | 0.00 |
| C | 0.00 | 0.88 | — | 0.00 | 0.49 | 0.63 | 0.00 | 0.00 | 0.45 | 0.00 | 0.00 |
| D | 0.65 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.37 |
| E | 0.00 | 0.00 | 0.49 | 0.00 | — | 0.51 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.60 | 0.63 | 0.00 | 0.51 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.50 | 0.49 | 0.45 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.49 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.46 | 0.00 | 0.00 | 0.37 | 0.00 | 0.00 | 0.00 | 0.00 | 0.49 | 0.00 | — |