open source audio identification
MusicBrainz recording
Now’s the Time
Charlie Parker's Reboppers
3:19
75dd0df5-e8c4-4719-a69d-529103b094d9
View on MusicBrainz →
AcoustIDs
3
linked to this recording
Submissions
44
linking them to it
Fingerprints
51
distinct audio files
Duration
3:14–3:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
fc5e890c-d25f-4ba2-b214-e706f4a1279a
Also linked to
Now’s the Time by Charley Parker’s Ree Boppers, Now’s the Time by Charlie Parker’s Re‐Boppers and
|
3 | 3:17–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
5f591bf7-fdd6-4284-a05c-ee7d8f062729
Also linked to
Now’s the Time by Charley Parker’s Ree Boppers, Now’s the Time by Charlie Parker’s Re‐Boppers and
|
46 | 3:14–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C | e7e08b84-82e1-41fe-8cba-818e85f9d8b7 | 2 | 3:17–3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.