MusicBrainz recording

Ruby Don’t Take Your Love to Town

Kenny Rogers & The First Edition 2:57
74e2e56f-31e5-4f8e-9155-519fbaeca975 View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
234
linking them to it
Fingerprints
205
distinct audio files
Duration
2:48–3:05
range of submitted files

AcoustIDs

Most submitted first, 4 disabled
Show 4 disabled links
AcoustID Most common fingerprint Fingerprints Length Sources
A 411eedb4-c58e-4e6e-b4cf-994f0f6883a5
Also linked to Ruby, Don’t Take Your Love to Town by Kenny Rogers, Ruby Don’t Take Your Love to Town by Kenny Rogers and
78 2:52–2:59
164
B 7a72d79d-1934-4cb7-aba1-535d5e7d4298
Also linked to Ruby Don’t Take Your Love to Town by Kenny Rogers, Ruby, Don’t Take Your Love to Town by Kenny Rogers & The First Edition and
34 2:54–3:05
33
C c0bf6347-9b52-4e91-b7bf-0e4c1082ab00
Also linked to Ruby Don’t Take Your Love to Town by Kenny Rogers, Ruby, Don’t Take Your Love to Town by Kenny Rogers and
30 2:53–3:00
21
D ab83ad64-b07e-4401-9427-974dc127a3bc
Also linked to Ruby Don’t Take Your Love to Town by Kenny Rogers, Ruby, Don’t Take Your Love to Town by Kenny Rogers and
27 2:55–3:02
7
E 4c6406cc-26a2-4d8b-b13d-2356624bfb91
Also linked to Ruby, Don’t Take Your Love to Town by Kenny Rogers, Ruby Don’t Take Your Love to Town by Kenny Rogers and
10 2:50–2:57
6
F b58f86be-54ce-4437-9338-c7b7d671e78f
Also linked to Ruby, Don’t Take Your Love to Town by Kenny Rogers, Ruby Don’t Take Your Love to Town by Kenny Rogers and
19 2:48–2:53
1
G c5b07c66-e18c-415e-972f-1dbaeeab84cf
Also linked to Ruby, Don’t Take Your Love to Town by Kenny Rogers, Ruby, Don’t Take Your Love to Town by Kenny Rogers and
3 2:53–2:54
1
H 7c558d02-6137-4bc9-91f6-27861c9fc1be
Also linked to Ruby, Don’t Take Your Love to Town by Kenny Rogers, Ruby Don’t Take Your Love to Town by Kenny Rogers and
4 3:00–3:05
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.