open source audio identification
MusicBrainz recording
Come On Over
Royal Blood
2:52
74c57d72-67f7-4d84-8bb2-6ff8e5008cbd
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
886
linking them to it
Fingerprints
25
distinct audio files
Duration
2:43–3:29
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c2141d30-2586-4f62-9fa1-cdf241a38168
Also linked to
Come On Over by Royal Blood
|
4 | 2:51–2:53 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 071f7b81-db96-4eda-927e-5bff95db7246 | 1 | 2:51 | ||||||||||||||||||||||||||||||||||||||
| C | e1054318-94a5-4261-8f5b-57a5159c5fc4 | 1 | 3:01 | ||||||||||||||||||||||||||||||||||||||
| D |
b2e05b22-b4bd-4d22-8fd5-124fcd9d5277
Also linked to
Come On Over by Royal Blood
|
2 | 3:01–3:02 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||||||||||||
| E | 948d00e1-1400-4080-b3bd-f13b1a96ff68 | 1 | 2:57 | ||||||||||||||||||||||||||||||||||||||
| F |
c25ca16e-7653-4351-9372-4d7fac17549f
Also linked to
In Too Deep by Sum 41, In Too Deep by Sum 41 and
|
12 | 3:22–3:29 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 701bf101-7f82-4a28-bab6-611034530e19 | 1 | 3:03 | ||||||||||||||||||||||||||||||||||||||
| H | ba13b1bf-ec3b-49e1-b2d6-6373f3015b5f | 1 | 3:00 | ||||||||||||||||||||||||||||||||||||||
| I | 67c9de25-beca-4514-b0d1-534d07038f9d | 1 | 2:43 | ||||||||||||||||||||||||||||||||||||||
| J | ec5ca391-5f93-4481-aab1-a10ed1aa521e | 1 | 2:53 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.87 | 0.00 | 0.00 | 0.65 | 0.00 | 0.89 | 0.48 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.87 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.59 | 0.00 | 0.80 | 0.51 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.65 | 0.00 | 0.00 | 0.59 | 0.00 | 0.00 | — | 0.00 | 0.63 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.89 | 0.00 | 0.00 | 0.80 | 0.00 | 0.00 | 0.63 | 0.00 | — | 0.51 |
| J | 0.48 | 0.00 | 0.00 | 0.51 | 0.00 | 0.00 | 0.00 | 0.00 | 0.51 | — |