open source audio identification
MusicBrainz recording
From Me to You
The Beatles
1:59
74badc8a-ee98-423a-af2b-53753b7dfdec
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
28
linking them to it
Fingerprints
107
distinct audio files
Duration
1:52–2:04
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
85acde55-c47c-4dc3-ae59-85a35a889047
Also linked to
From Me to You by The Beatles, From Me to You by The Beatles and
|
50 | 1:57–2:04 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
0bcf4fc8-e489-4999-9738-38759e2e2f8a
Also linked to
From Me to You by The Beatles, From Me to You by The Beatles and
|
11 | 1:56–2:02 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
d830e1a8-0fc5-43e7-a34b-df0fbeb58d6c
Also linked to
From Me to You by The Beatles, From Me to You by The Beatles and
|
17 | 1:52–1:59 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 08196096-a889-40d0-894e-36e4209d5b32 | 1 | 1:53 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E |
21f076bc-6094-46a7-bb2c-c347a96cc836
Also linked to
From Me to You by The Beatles, From Me to You by [unknown]
|
2 | 1:56–1:57 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
7fb9ad33-fb18-4745-b816-26f7e5b0aa30
Also linked to
From Me to You by The Beatles, From Me to You by The Beatles and
|
23 | 1:54–2:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
d4c0bd23-cc02-4629-9fbc-bf90679ddb81
Also linked to
From Me to You by The Beatles
|
3 | 1:55–1:58 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.