open source audio identification
MusicBrainz recording
Everybody Hurts
The Corrs
5:50
live, 1999‐10‐05: “MTV Unplugged”, Ardmore Studios, Bray, Ireland
748220dd-cd64-4a7b-a1f0-7f1695a0a6e2
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
2,001
linking them to it
Fingerprints
30
distinct audio files
Duration
5:28–6:15
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
f476b0c7-3e34-4536-92b7-b2cb0d8e9897
Also linked to
Everybody Hurts by The Corrs, Never Alone (extended Euro mix) by 2 Brothers on the 4th Floor
|
4 | 5:43–5:50 | ||||||||||||||||||
|
Recordings linked to A
|
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| B |
150aeba3-3aff-4dc7-9560-9ecb9bc98671
Also linked to
All the Love in the World by The Corrs
|
5 | 5:46–5:51 | ||||||||||||||||||
|
Recordings linked to B
|
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| C |
0e68f143-4022-4bed-b9c2-62c984c22b0d
Also linked to
Everybody Hurts by The Corrs
|
4 | 5:41–5:43 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
bdf1eea9-0f83-412d-9926-783d9b6dfa88
Also linked to
Everybody Hurts by The Corrs
|
5 | 5:49–5:56 | ||||||||||||||||||
|
Recordings linked to D
|
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| E | c08b97aa-a133-47af-a53e-28c35441b876 | 1 | 5:45 | ||||||||||||||||||
| F | aa38051e-c828-463f-95ae-201f63a34c3e | 2 | 5:59–6:05 | ||||||||||||||||||
| G | 34db5158-bf8f-4dcb-b2cf-b5f7e7a0d84e | 1 | 5:44 | ||||||||||||||||||
| H |
8b4a0d9f-d387-4aea-945e-9a01abbd3968
Also linked to
Everybody Hurts by Helping Haiti
|
2 | 5:32–5:35 | ||||||||||||||||||
|
Recordings linked to H
|
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| I | fc8a16a6-50e4-42a2-90a0-ce59433a10c8 | 2 | 5:44–5:50 | ||||||||||||||||||
| J |
e3413e6d-a28c-4481-8814-f7bc2c1dc46a
Also linked to
Track 10 by Paulo Coelho
|
2 | 5:28–5:33 | ||||||||||||||||||
|
Recordings linked to J
|
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| K | 51135a83-f9f3-4052-a82b-3de96391499a | 2 | 6:11–6:15 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.97 | 0.89 | 0.00 | 0.68 | 0.87 | 0.00 | 0.00 | 0.65 | 0.91 | 0.98 |
| B | 0.97 | — | 0.92 | 0.00 | 0.67 | 0.90 | 0.00 | 0.00 | 0.65 | 0.93 | 0.95 |
| C | 0.89 | 0.92 | — | 0.00 | 0.65 | 0.97 | 0.00 | 0.00 | 0.65 | 0.98 | 0.87 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.68 | 0.67 | 0.65 | 0.00 | — | 0.66 | 0.00 | 0.00 | 0.53 | 0.65 | 0.68 |
| F | 0.87 | 0.90 | 0.97 | 0.00 | 0.66 | — | 0.00 | 0.00 | 0.65 | 0.95 | 0.85 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.65 | 0.65 | 0.65 | 0.00 | 0.53 | 0.65 | 0.00 | 0.00 | — | 0.65 | 0.65 |
| J | 0.91 | 0.93 | 0.98 | 0.00 | 0.65 | 0.95 | 0.00 | 0.00 | 0.65 | — | 0.89 |
| K | 0.98 | 0.95 | 0.87 | 0.00 | 0.68 | 0.85 | 0.00 | 0.00 | 0.65 | 0.89 | — |