open source audio identification
MusicBrainz recording
Je T'Aime Encore
Céline Dion
3:24
74455cc2-c77e-4589-a6e9-b08475566e07
View on MusicBrainz →
AcoustIDs
8
linked to this recording
Submissions
940
linking them to it
Fingerprints
16
distinct audio files
Duration
3:13–3:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
8a3baf8d-98bd-4218-b848-3983dd4fccae
Also linked to
Et Je T’aime Encore by Céline Dion, Et je t’aime encore by Céline Dion
|
5 | 3:24 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
|||||||||||||||||||||||||||||||
| B |
be33dda3-503a-4d4d-8499-fa89e10dfe38
Also linked to
Et je t’aime encore by Céline Dion, Et je t’aime encore by Céline Dion and
|
4 | 3:26–3:27 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||
| C |
eedf0185-572c-4c2a-b6f5-ed4d51995c07
Also linked to
One Heart (Original 3 pop edit) by Céline Dion
|
1 | 3:23 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
|||||||||||||||||||||||||||||||
| D |
ca514e75-d5c4-48b7-b380-6d8c0ba3736a
Also linked to
Je t’aime encore by Natasha St‐Pier, Je t'aime encore by Céline Dion
|
2 | 3:49–3:52 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
|||||||||||||||||||||||||||||||
| E | 73b2dc4a-cbf2-4fb0-a0e7-27f2404eb9f4 | 1 | 3:50 | ||||||||||||||||||||||||||||
| F | ffb34465-7611-47d5-bcce-e4f7834b1440 | 1 | 3:34 | ||||||||||||||||||||||||||||
| G |
e6b035b2-c528-41c1-94b3-dcdcd229bbd8
Also linked to
Et je t’aime encore by Céline Dion
|
1 | 3:13 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
|||||||||||||||||||||||||||||||
| H |
6ea75b1b-014e-4326-a90f-fc7945350714
Also linked to
Faith by Céline Dion
|
1 | 3:54 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
|||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | |
|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.88 | 0.88 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.94 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.88 | 0.00 | 0.00 | 0.00 | — | 0.99 | 0.00 | 0.00 |
| F | 0.88 | 0.00 | 0.00 | 0.00 | 0.99 | — | 0.00 | 0.00 |
| G | 0.00 | 0.94 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |