MusicBrainz recording
Wish You Were Here
Pink Floyd
4:39
live, 1988-08: Nassau Coliseum, New York, NY, USA; 2019 remix
7378974f-bcba-4132-b06f-ef466133eee7
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
368
linking them to it
Fingerprints
21
distinct audio files
Duration
4:34–10:29
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
028271f8-963f-4709-a8ec-d233ac312e4c
Also linked to
Wish You Were Here by Pink Floyd
|
5 | 4:38–4:43 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 6e1fe191-ae50-4d85-be46-c3015a0b9c86 | 1 | 4:38 | ||||||||||||||||||||||||||||
| C |
28c3854f-0fd9-47d4-8fb6-130d21b5d593
Also linked to
Wish You Were Here by Pink Floyd, Wish You Were Here by Pink Floyd and
|
2 | 4:44–4:46 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
c7be2eda-f454-439f-8c82-1575ad5ef28b
Also linked to
Wish You Were Here by Pink Floyd, Wish You Were Here (live at Knebworth 1990) by Pink Floyd
|
3 | 5:02 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
92f0beea-2516-4df6-b6c1-637ce287d150
Also linked to
Wish You Were Here by Pink Floyd, Wish You Were Here by Pink Floyd
|
4 | 4:40–4:42 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
7c2e59c8-41f3-400c-b786-aeb378ade6d0
Also linked to
Wish You Were Here (Rock & Roll Hall of Fame Induction 1996) by Pink Floyd with Billy Corgan, Wish You Were Here by Pink Floyd with Billy Corgan
|
1 | 10:29 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
0416e852-37ee-4152-a872-d7ece91f6d5d
Also linked to
Wish You Were Here (live in Venice 15 July 1989) by Pink Floyd, Wish You Were Here by Pink Floyd
|
5 | 4:34–4:39 | ||||||||||||||||||||||||||||
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Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.