open source audio identification
MusicBrainz recording
Give It 2 Me
Madonna
live video, Sticky & Sweet Tour
729fbb16-0d2c-4535-96b5-d7b9581d8daa
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
18
linking them to it
Fingerprints
25
distinct audio files
Duration
2:52–8:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4e1ce721-897a-46ec-8731-25399b4461db
Also linked to
Give It 2 Me (edit) by Madonna, Give It 2 Me by Madonna and
|
9 | 4:02–4:05 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | b4d64cff-0d5d-415f-b95a-de7330be0d79 | 6 | 7:52–7:55 | |||||||||||||||||||||||||||||||||
| C |
a1093021-aac9-47de-85f2-191a058c56c1
Also linked to
Give It 2 Me by Madonna
|
3 | 8:20 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 27e9b67f-cc24-4203-a59a-d2ccd8764f33 | 1 | 2:52 | |||||||||||||||||||||||||||||||||
| E |
0ee40c4f-0373-4d35-9d6f-238860961730
Also linked to
Give It 2 Me by Madonna
|
1 | 7:41 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 705302f8-85db-4caf-87ee-f46f88f01786 | 1 | 7:12 | |||||||||||||||||||||||||||||||||
| G | f9218d02-2b73-4d83-8163-95dcaba49f19 | 1 | 4:58 | |||||||||||||||||||||||||||||||||
| H |
fe96d201-2a38-4a8f-93af-7df0595a1c26
Also linked to
Give It 2 Me (edit) by Madonna
|
1 | 4:02 | |||||||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I |
5379d5d3-a401-4e83-bdce-e3278dd2d659
Also linked to
Give It 2 Me by Madonna
|
1 | 8:15 | |||||||||||||||||||||||||||||||||
|
Recordings linked to I
|
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| J | 2dc49035-eff8-4483-ab3d-ec1a677b3de1 | 1 | 3:08 | |||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.53 | 0.00 | 0.00 |
| B | 0.00 | — | 0.89 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.89 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.53 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |