MusicBrainz recording
A Song for the Lovers
Richard Ashcroft
5:24
724fffce-81f2-49f1-8b77-18bbc2fd8012
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
672
linking them to it
Fingerprints
21
distinct audio files
Duration
5:14–5:39
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
2161dbb3-12a4-4776-9ee4-d08890a13721
Also linked to
A Song for the Lovers by Richard Ashcroft, A Song for the Lovers by Richard Ashcroft
|
2 | 5:27–5:28 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
4adca826-4a29-4f1c-951d-82d46d55a5df
Also linked to
A Song for the Lovers by Richard Ashcroft, A Song for the Lovers by Richard Ashcroft and
|
2 | 5:19–5:21 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
606d0a84-5336-48cb-a33c-5ca1de93c9e0
Also linked to
A Song for the Lovers by Richard Ashcroft
|
6 | 5:35–5:39 | |||||||||||||||||||||||
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Recordings linked to C
|
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| D | 2a67f080-c3f7-4882-82fe-97d731288867 | 2 | 5:21 | |||||||||||||||||||||||
| E |
81ba4347-1b37-4e55-8596-1761709c5804
Also linked to
Always Something by FD feat. Fox
|
2 | 5:17 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 3bfd4e06-7d60-4fa2-94d4-68b46f1d100b | 1 | 5:22 | |||||||||||||||||||||||
| G | 3a252be2-f9df-4fb0-b7a3-4432921b6b70 | 1 | 5:26 | |||||||||||||||||||||||
| H | 571bef68-db20-46ea-b7bd-eb2c1e922ad9 | 1 | 5:23 | |||||||||||||||||||||||
| I |
44e84781-dfb4-4fc6-afdd-ebf19a33e2ec
Also linked to
This Is Now by FD
|
1 | 5:18 | |||||||||||||||||||||||
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Recordings linked to I
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| J | 5353ae5c-cbf3-49e2-9520-9f618df8c4d1 | 1 | 5:26 | |||||||||||||||||||||||
| K | dd9ee751-c5f5-4d6f-8cdd-a0ca8c0ba11f | 1 | 5:14 | |||||||||||||||||||||||
| L | 271e97ce-fdac-44aa-82c5-3aeb83adb42e | 1 | 5:37 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.89 | 0.87 | 0.74 | 0.00 | 0.00 | 0.31 | 0.00 | 0.00 | 0.00 | 0.63 | 0.00 |
| B | 0.89 | — | 0.95 | 0.75 | 0.00 | 0.00 | 0.29 | 0.00 | 0.00 | 0.00 | 0.64 | 0.00 |
| C | 0.87 | 0.95 | — | 0.73 | 0.00 | 0.00 | 0.29 | 0.00 | 0.00 | 0.00 | 0.63 | 0.00 |
| D | 0.74 | 0.75 | 0.73 | — | 0.00 | 0.00 | 0.23 | 0.00 | 0.00 | 0.00 | 0.54 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.31 | 0.29 | 0.29 | 0.23 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.19 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.63 | 0.64 | 0.63 | 0.54 | 0.00 | 0.00 | 0.19 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |