open source audio identification
MusicBrainz recording
Give It Away (single mix)
Red Hot Chili Peppers
4:48
single mix
71f5d1a7-cf71-4fe3-9f8d-2a15a2bfb6be
View on MusicBrainz →
AcoustIDs
5
linked to this recording
Submissions
109
linking them to it
Fingerprints
75
distinct audio files
Duration
4:38–5:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
08ad6cbc-a427-4d8e-ae5f-205d63a47004
Also linked to
Give It Away (single mix) by Red Hot Chili Peppers
|
5 | 4:46–4:51 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| B |
547c9b16-0550-4200-86cd-6cc27972901b
Also linked to
Give It Away by Red Hot Chili Peppers, I Want to be More Like Jesus by Keith Green
|
11 | 4:38–4:45 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
bec170ec-92c6-4bba-a052-73159b9e31f5
Also linked to
Give It Away by Red Hot Chili Peppers, Give It Away by Red Hot Chili Peppers and
|
56 | 4:41–4:48 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
7cdb852d-ab18-4c63-af2e-27ac4320804f
Also linked to
Emotion (original version) by Planet Bass
|
2 | 4:47 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | 465d8c31-4921-4248-96ee-2eda5e4c83c3 | 1 | 5:00 | |||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.