open source audio identification
MusicBrainz recording
Hold On to the Nights
Richard Marx
5:14
719c052f-bf64-4fa7-9299-057d03c214af
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
944
linking them to it
Fingerprints
30
distinct audio files
Duration
4:45–5:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
2ba58053-f73f-4fba-8aa6-de65e7cfa7a2
Also linked to
Hold On to the Nights by Richard Marx, Somebody to Love by Queen and
|
5 | 5:11–5:13 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B |
c20a03c2-2b20-405d-9a96-1cd0306b102c
Also linked to
Hold on to the Nights by Richard Marx, Hold On to the Nights by Richard Marx and
|
5 | 5:17–5:20 | |||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C | 93483c3d-de66-4f49-af1a-59914064e58a | 4 | 5:02–5:07 | |||||||||||||||||||||||||||||||||
| D |
a06459c9-0dda-42be-895d-12b1f94009d5
Also linked to
Hold on to the Nights by Richard Marx, Hold on to the Nights (live) by Richard Marx and
|
1 | 4:45 | |||||||||||||||||||||||||||||||||
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Recordings linked to D
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| E |
eeeff66e-44bb-4eaa-a1ed-b7b5d696ee7a
Also linked to
I Can’t Wait Another Minute by Hi-Five, Can’t Wait Another Minute by Hi-Five and
|
8 | 4:58–5:03 | |||||||||||||||||||||||||||||||||
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Recordings linked to E
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| F |
7af46ca7-21e5-409f-9dc4-3f929eb8eb64
Also linked to
Hold On by Dan Hill
|
2 | 4:56–4:57 | |||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G | a3246c58-73d0-4137-85d6-06c5f5b718cb | 1 | 5:13 | |||||||||||||||||||||||||||||||||
| H | efcecf14-ffba-4bf5-9fab-6bbe3cfa2502 | 1 | 5:13 | |||||||||||||||||||||||||||||||||
| I |
7daf8abe-b1b8-459b-9583-3cc67935c45b
Also linked to
Hold on to the Nights by Richard Marx, Hold on to the Nights by Richard Marx
|
3 | 5:13–5:19 | |||||||||||||||||||||||||||||||||
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Recordings linked to I
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.91 | 0.91 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.91 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.91 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.90 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.90 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |