open source audio identification
MusicBrainz recording
Signs
Five Man Electrical Band
4:03
718f1e94-e893-4dd8-af2e-b502df454615
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
997
linking them to it
Fingerprints
47
distinct audio files
Duration
3:02–5:04
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 586b95b9-1cf7-4e90-88b1-e12dd50f08c2 | 15 | 4:00–4:05 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 507db8e5-7bf2-4b89-a538-8252151dc9ec | 1 | 5:04 | |||||||||||||||||||||||||||||||||||||||||||
| C | c14b34d1-aa70-4ff9-8645-65a7c486457e | 1 | 3:59 | |||||||||||||||||||||||||||||||||||||||||||
| D | e139ff70-766a-412d-b05f-11445b7d2786 | 1 | 4:01 | |||||||||||||||||||||||||||||||||||||||||||
| E | b9b77f10-7ef6-431e-8bd9-307cb561a1dc | 1 | 4:03 | |||||||||||||||||||||||||||||||||||||||||||
| F | 416e6746-64ec-42a9-bed6-476b3daee934 | 1 | 4:01 | |||||||||||||||||||||||||||||||||||||||||||
| G |
4328c3d6-76a5-4530-9659-8a3bf53f2906
Also linked to
How Do You Do by Mouth & MacNeal, How Do You Do? by Mouth & MacNeal and
|
19 | 4:01–4:08 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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| H |
3ee60fc7-e28a-4cdc-a1b0-18fe2a14130e
Also linked to
Signs by Five Man Electrical Band
|
5 | 3:02–3:05 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | e48e307b-1906-4c39-976e-85480b16da02 | 1 | 4:02 | |||||||||||||||||||||||||||||||||||||||||||
| J | 523e8da3-4f44-42b6-a3d7-c3308055d265 | 1 | 4:05 | |||||||||||||||||||||||||||||||||||||||||||
| K | fccbe1be-cd49-4c94-b408-17fea6f53836 | 1 | 4:34 | |||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.68 | 0.64 | 0.60 | 0.35 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.94 |
| B | 0.68 | — | 0.49 | 0.81 | 0.30 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.67 |
| C | 0.64 | 0.49 | — | 0.00 | 0.27 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.63 |
| D | 0.60 | 0.81 | 0.00 | — | 0.26 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.56 |
| E | 0.35 | 0.30 | 0.27 | 0.26 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.33 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.46 | 0.52 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.46 | 0.00 | 0.00 | — | 0.53 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.52 | 0.00 | 0.00 | 0.53 | — | 0.00 |
| K | 0.94 | 0.67 | 0.63 | 0.56 | 0.33 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |