open source audio identification
MusicBrainz recording
Les Quatre saisons, Concerto Op. 8, No. 1 "Le Printemps": Allegro
Shlomo Mintz, Itzhak Perlman, Isaac Stern, Pinchas Zukerman, Israel Philharmonic Orchestra, Zubin Mehta
3:28
7111fdbe-a1e3-45e4-a158-99f88ecfeb7f
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
278
linking them to it
Fingerprints
15
distinct audio files
Duration
3:14–3:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3bf9c4d5-7e11-448a-9b3c-490f4cc7a18a
Also linked to
Concerto for Violin and Strings in E Major, Op. 8, No. 1, RV 269 “La Primavera”: 1. Allegro by Antonio Vivaldi, Concerto in E major, op. 8 no. 1, RV 269 "La primavera": I. Allegro by Alexander Permovalsky, Baroque Festival Orchestra, The English Philharmonic Orchestra, Musici di San Marco, I Solisti Napoli, Salzburger Kammerorchester, Slovak Chamber Orchestra, I Musici di Zagreb, Südwest-Studioorchester, Simon Addison, Alberto Lizzio, Heribert Münchner, Alexander von Pitamic, Bohdan Warchal
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6 | 3:26–3:33 | |||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
7226c84e-b272-44d2-a108-07f5a4a44678
Also linked to
The four Seasons: Violin Concerto in E major "Spring" - Allegro by Isaac Stern, Zubin Mehta, The Four Seasons - Spring The First Movement by [unknown] and
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5 | 3:24–3:30 | |||||||||||||||||||||||||||||||||
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Recordings linked to B
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| C |
de1f062a-172a-48ee-b4b7-c5b5508bb83a
Also linked to
Spring - 1st Movement (from Four Seasons) by [unknown]
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1 | 3:22 | |||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D |
9faa923b-da1c-4f59-904c-01a739667759
Also linked to
Les Quatre Saisons : « Le Printemps » : Allegro by Gil Shaham, Orpheus Chamber Orchestra
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3 | 3:14 | |||||||||||||||||||||||||||||||||
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Recordings linked to D
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.