MusicBrainz recording

You Can Get It If You Really Want

Desmond Dekker 2:26
6ff8f3cc-942b-46ae-8792-647882338b4e View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
149
linking them to it
Fingerprints
145
distinct audio files
Duration
2:17–3:33
range of submitted files

AcoustIDs

Most submitted first, 1 disabled
Show 1 disabled link
AcoustID Most common fingerprint Fingerprints Length Sources
A 44ced74c-6c1b-446e-a1c1-36278aa8afb1 12 2:21–2:27
105
B 770739a8-b319-49b6-b0ad-53601946f9f8
Also linked to You Can Get It If You Really Want It by Desmond Dekker, You Can Get It If You Really Want by Desmond Dekker and
6 2:17–2:24
13
C 1e1b4a07-36ac-4a13-bd0c-b39d2e4c847c
Also linked to You Can Get It If You Really Want by Desmond Dekker, You Can Get It If You Really Want It by Desmond Dekker and
20 2:24–2:31
10
D e8e8f45c-dc6e-4d06-abbf-af7a531cf838
Also linked to You Can Get It If You Really Want by Desmond Dekker, You Can Get It If You Really Want It by Desmond Dekker and
8 2:28–2:35
10
E 2a5c0a0c-938d-4bf2-84bf-dbe1487fdf24
Also linked to You Can Get It If You Really Want by Desmond Dekker, You Can Get It If You Really Want It by Desmond Dekker and
3 2:27–2:29
4
F 609ed034-6f66-433d-86aa-8bf0b812e5ea
Also linked to You Can Get It If You Really Want by Desmond Dekker, You Can Get It If You Really Want It by Desmond Dekker and
19 2:33–2:41
2
G a110a2bd-aa9a-4f36-93f8-49bd996dfd4e
Also linked to You Can Get It If You Really Want by Desmond Dekker, You Can Get It If You Really Want by Desmond Dekker and
39 2:38–2:45
2
H 4c042c15-9924-4e8e-b56f-4807d26f79d2 2 2:27–2:33
1
I 6648c8e3-776e-43c2-aadb-949bf0b0f693
Also linked to (I Can't Help) Falling in Love With You by The Countdown Singers, I Can't Help Falling In Love by To Be Free and
22 3:26–3:33
1
J bdcb68f2-c6f0-4539-aadb-991540d16a6d
Also linked to Israelites by Desmond Dekker & the Aces, The Israelites by Desmond Dekker and
14 2:23–2:29
1

Are they the same audio?

Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.