open source audio identification
MusicBrainz recording
Conflict
Disturbed
4:35
6fbad9d2-09ed-4d3a-a445-e8df2dd9d4f0
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
2,985
linking them to it
Fingerprints
32
distinct audio files
Duration
1:50–4:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0c4c0d0c-7ca8-4169-97a2-0c21bd537be8
Also linked to
Conflict by Disturbed
|
12 | 4:35–4:41 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ec67f0b2-8fe1-4a3c-a3a0-0126525dfc90
Also linked to
Down With the Sickness by Disturbed
|
4 | 4:34–4:35 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
b626cc92-7f21-4a91-82e0-14a154311cb2
Also linked to
Enemy by Our Imperfect Future, Indestructible by Disturbed
|
3 | 4:33–4:35 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
f89f43f7-4b61-4df5-8c91-748c71eba066
Also linked to
Conflict (live) by Disturbed, Conflict (live) by Disturbed and
|
4 | 4:37–4:42 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
ac4540b7-65bd-4b5c-8a19-d223e6687d92
Also linked to
Conflict by Disturbed
|
1 | 4:41 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F | e23e09f7-f8e6-4030-802b-bcfe14f9b489 | 2 | 4:35–4:37 | |||||||||||||||||||||||
| G | 2bc6d457-4c17-40b8-88e8-a35fd0778a3c | 1 | 4:35 | |||||||||||||||||||||||
| H | 2e0dcf0a-5e8a-4478-be88-f1ec48f59fd4 | 1 | 1:50 | |||||||||||||||||||||||
| I | 9bb122ea-a7e8-453a-b786-91f082a3c0d9 | 1 | 4:35 | |||||||||||||||||||||||
| J | b19f32b4-db5f-494e-b431-8c5ea3f52b20 | 1 | 4:35 | |||||||||||||||||||||||
| K | 54431113-b5f0-492b-be38-afdf841fc5d2 | 1 | 4:53 | |||||||||||||||||||||||
| L | 8b14274c-25a8-41d5-8726-1319aa61a4e2 | 1 | 4:35 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.56 | 0.92 | 0.00 | 0.67 | 0.73 | 0.00 | 0.92 | 0.00 | 0.00 | 0.56 | 0.00 |
| B | 0.56 | — | 0.55 | 0.00 | 0.48 | 0.51 | 0.00 | 0.55 | 0.00 | 0.00 | 0.96 | 0.00 |
| C | 0.92 | 0.55 | — | 0.00 | 0.67 | 0.68 | 0.00 | 0.95 | 0.00 | 0.00 | 0.53 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.67 | 0.48 | 0.67 | 0.00 | — | 0.49 | 0.00 | 0.69 | 0.00 | 0.00 | 0.49 | 0.00 |
| F | 0.73 | 0.51 | 0.68 | 0.00 | 0.49 | — | 0.00 | 0.69 | 0.00 | 0.00 | 0.50 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.46 |
| H | 0.92 | 0.55 | 0.95 | 0.00 | 0.69 | 0.69 | 0.00 | — | 0.00 | 0.00 | 0.55 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.56 | 0.96 | 0.53 | 0.00 | 0.49 | 0.50 | 0.00 | 0.55 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.46 | 0.00 | 0.00 | 0.00 | 0.00 | — |