open source audio identification
MusicBrainz recording
Never Gonna Leave Your Side
Daniel Bedingfield
3:55
6f24f297-2d1c-41fb-ba3b-c40e2eab83b1
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
661
linking them to it
Fingerprints
24
distinct audio files
Duration
3:09–4:30
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
c69e46ae-d9c0-4864-b9fa-a95c9c38c710
Also linked to
Never Gonna Leave Your Side by Daniel Bedingfield
|
6 | 3:54–3:57 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
67736b60-3ae9-4dbe-be73-65f4acf83766
Also linked to
Right Girl by Daniel Bedingfield, Right Girl by Daniel Bedingfield and
|
4 | 3:53–3:56 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
|||||||||||||||||||||||||||||||
| C | 1490af61-53b4-4fab-9038-d8ee64bf78d3 | 5 | 4:04 | ||||||||||||||||||||||||||||
| D | 22f4a497-c761-4d68-93be-8a64e4c2a5ee | 1 | 3:09 | ||||||||||||||||||||||||||||
| E |
8ddfa6d9-9f20-4c3e-a577-724caa8b7ac0
Also linked to
Leave Right Now by Will Young
|
1 | 3:57 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 1b745892-98fa-4b5a-b4d4-53d0ffdab6cd | 1 | 4:30 | ||||||||||||||||||||||||||||
| G |
5032ba00-614b-45ba-903b-e04a2b4bbb34
Also linked to
Surrender (Your Love) by Javine
|
2 | 3:26–3:29 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 88cdc4b0-48d9-45f6-bbfe-0778cd71945f | 1 | 3:56 | ||||||||||||||||||||||||||||
| I | c1777560-02be-49a0-b18e-71db0cfacb19 | 2 | 3:45–3:49 | ||||||||||||||||||||||||||||
| J | ed047855-3fa8-4d86-ad93-10f39e63afc7 | 1 | 4:14 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.90 | 0.89 | 0.00 | 0.89 | 0.89 | 0.00 | 0.92 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.90 | 0.00 | — | 0.96 | 0.00 | 0.96 | 0.96 | 0.00 | 0.85 | 0.00 |
| D | 0.89 | 0.00 | 0.96 | — | 0.00 | 1.00 | 0.95 | 0.00 | 0.85 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.89 | 0.00 | 0.96 | 1.00 | 0.00 | — | 0.95 | 0.00 | 0.85 | 0.00 |
| G | 0.89 | 0.00 | 0.96 | 0.95 | 0.00 | 0.95 | — | 0.00 | 0.84 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.92 | 0.00 | 0.85 | 0.85 | 0.00 | 0.85 | 0.84 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |