open source audio identification
MusicBrainz recording
Insomnia (radio edit)
Nightwatchers
3:43
6f0b699c-9816-43c8-af33-d71d85f27b15
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
266
linking them to it
Fingerprints
77
distinct audio files
Duration
1:17–4:11
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
17a5222f-52d0-4b72-851f-536198b4444e
Also linked to
Want You So Badly by Dada (ante portas), Insomnia (extended version) by Nightwatchers and
|
37 | 3:38–3:45 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 7896609d-be75-478e-91c8-ec268a323fab | 2 | 3:45 | ||||||||||||||||||||||||||||||||||||||
| C |
25e04e2e-023a-4fec-8947-c101b4ae6124
Also linked to
Insomnia by Nightwatchers
|
4 | 3:46–3:47 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 6379fbe8-6f26-482c-a91b-869e30c03e97 | 2 | 3:46 | ||||||||||||||||||||||||||||||||||||||
| E |
5389a59e-d5a0-4172-9b7b-7c6b9b286919
Also linked to
Insomnia (radio edit) by Mike Candys & Jack Holiday, Insomnia by Mike Candys & Jack Holiday and
|
23 | 3:29–3:33 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | e3b05090-e8b3-455d-a78d-d71974b4c754 | 2 | 3:44 | ||||||||||||||||||||||||||||||||||||||
| G | 1c0bf598-46c8-492d-910a-7cfc429b1458 | 2 | 3:47–3:54 | ||||||||||||||||||||||||||||||||||||||
| H | 27a0ab89-269b-4f48-ac5b-937dba8c505d | 1 | 3:41 | ||||||||||||||||||||||||||||||||||||||
| I | 515e027e-f318-43be-baf3-f924262f891c | 1 | 1:17 | ||||||||||||||||||||||||||||||||||||||
| J |
72f19e13-4b1c-40ec-be93-fa01dcab4c71
Also linked to
Insomnia by The Night Watchers
|
3 | 4:11 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to J
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.27 | 0.88 | 0.00 | 0.00 | 0.51 | 0.78 | 0.00 | 0.90 | 0.00 |
| B | 0.27 | — | 0.20 | 0.00 | 0.00 | 0.10 | 0.30 | 0.00 | 0.37 | 0.00 |
| C | 0.88 | 0.20 | — | 0.00 | 0.00 | 0.51 | 0.73 | 0.00 | 0.85 | 0.00 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.51 | 0.10 | 0.51 | 0.00 | 0.00 | — | 0.47 | 0.00 | 0.52 | 0.00 |
| G | 0.78 | 0.30 | 0.73 | 0.00 | 0.00 | 0.47 | — | 0.00 | 0.80 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| I | 0.90 | 0.37 | 0.85 | 0.00 | 0.00 | 0.52 | 0.80 | 0.00 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |