open source audio identification
MusicBrainz recording
The Lebanon
The Human League
3:44
single version
6b1af6c7-e0aa-490b-8fca-1d8a9d07f8bc
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
1,123
linking them to it
Fingerprints
44
distinct audio files
Duration
3:34–4:12
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
098f8759-0373-4a25-8f28-b47a3b355107
Also linked to
The Lebanon by The Human League, The Lebanon (remastered 2003) by The Human League and
|
6 | 3:43–3:44 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | c0f61696-9670-4cbd-8e8f-26dfc81a94f6 | 1 | 3:44 | |||||||||||||||||||||||||||||||||||||||||||
| C |
ed286e01-cafc-468c-95de-bd54969b2601
Also linked to
Caroline No by Brian Wilson
|
2 | 3:41 | |||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | d5ce5588-5dde-409c-aed7-e0e860c5cdb5 | 1 | 3:36 | |||||||||||||||||||||||||||||||||||||||||||
| E | 4178016f-66b5-4ba9-9a01-ba0e622ceecb | 2 | 3:34–3:35 | |||||||||||||||||||||||||||||||||||||||||||
| F |
716573ac-4176-406c-ac62-4d3068db39d3
Also linked to
(Keep Feeling) Fascination by The Human League, (Keep Feeling) Fascination by The Human League and
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27 | 3:42–3:48 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
|
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| G | 86e149d2-0a94-4b12-ba56-94f8d3f47097 | 1 | 4:12 | |||||||||||||||||||||||||||||||||||||||||||
| H | a14fd4be-d094-413f-bbf7-93b554db7319 | 1 | 3:44 | |||||||||||||||||||||||||||||||||||||||||||
| I | 0389dfbf-0111-4b9e-b4ad-11601c228c49 | 2 | 3:53–3:59 | |||||||||||||||||||||||||||||||||||||||||||
| J |
bce01e0d-52e6-4494-9977-81a2aae30912
Also linked to
The Lebanon by The Human League
|
1 | 3:42 | |||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to J
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.68 | 0.00 | 0.60 | 0.59 | 0.00 | 0.90 | 0.00 | 0.96 | 0.48 |
| B | 0.68 | — | 0.00 | 0.43 | 0.44 | 0.00 | 0.63 | 0.00 | 0.69 | 0.38 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.60 | 0.43 | 0.00 | — | 0.73 | 0.00 | 0.63 | 0.00 | 0.61 | 0.72 |
| E | 0.59 | 0.44 | 0.00 | 0.73 | — | 0.00 | 0.63 | 0.00 | 0.57 | 0.85 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.29 | 0.00 | 0.00 |
| G | 0.90 | 0.63 | 0.00 | 0.63 | 0.63 | 0.00 | — | 0.00 | 0.86 | 0.53 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.29 | 0.00 | — | 0.00 | 0.00 |
| I | 0.96 | 0.69 | 0.00 | 0.61 | 0.57 | 0.00 | 0.86 | 0.00 | — | 0.58 |
| J | 0.48 | 0.38 | 0.00 | 0.72 | 0.85 | 0.00 | 0.53 | 0.00 | 0.58 | — |