open source audio identification
MusicBrainz recording
Bongo Bop
Charlie Parker Quintet
2:46
studio, 1947-10-28: Dial D1102-A, master take
6aef2ee4-cac9-4b11-aa60-58ec405f154a
View on MusicBrainz →
AcoustIDs
6
linked to this recording
Submissions
209
linking them to it
Fingerprints
49
distinct audio files
Duration
2:39–2:53
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7197508a-d4f3-4b30-a9f4-6fbdbf1b4098
Also linked to
Bongo Bop by Charlie Parker
|
13 | 2:44–2:51 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
9e3bed50-a74a-4d6a-81a0-30a9b2bfd101
Also linked to
Bongo Bop by Charlie Parker, Bongo Bop (New York, October 28, 1947) by Charlie Parker and
|
19 | 2:46–2:53 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 85aaacf3-3899-4ea2-8c8d-bdda732f4ee7 | 2 | 2:39–2:42 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| D |
8dcf2e6c-c4a3-414a-a074-e27ed10cfdcc
Also linked to
Bongo Bop (a.k.a. Blues and Parker's Blues) (take B, alternate) by Charlie Parker, Bongo Bop (take B) by Charlie Parker and
|
8 | 2:44–2:49 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
ba266916-395f-419f-aec1-1302875a1930
Also linked to
Bongo Bop (take B) by Charlie Parker Quintet, Blues (Bongo Bop) by Charlie Parker and
|
5 | 2:47 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 44b92b44-12e6-4e21-bd4e-a280973349f5 | 2 | 2:43–2:45 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.