open source audio identification
MusicBrainz recording
Perfect (Exceeder) (vocal club mix)
Mason vs. Princess Superstar
6:39
69e2a396-2e95-43d0-b9cf-93c30b8146af
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
162
linking them to it
Fingerprints
48
distinct audio files
Duration
6:38–6:48
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
7a754c57-c238-4543-b895-7ff70980210b
Also linked to
Exceeder by Mason, Perfect (Exceeder) (original) by Mason vs. Princess Superstar and
|
12 | 6:38–6:40 | |||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
32418aed-c8f4-4027-b57a-9eb679e32cbb
Also linked to
Exceeder by Mason, Perfect (Exceeder) (Extended Dub Mix) by Mason & Princess Superstar and
|
19 | 6:39–6:46 | |||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
043fb41a-96dc-49c7-8977-92eac395b461
Also linked to
Perfect (Exceeder) (instrumental club mix) by Mason vs. Princess Superstar
|
1 | 6:40 | |||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
540672c5-de53-43a4-98f6-41376c4ee932
Also linked to
Perfect (Exceeder) (Martijn Ten Velden vocal remix) by Mason vs. Princess Superstar
|
6 | 6:45 | |||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
a16efd4a-8e07-4167-9cf1-2d377817d5f5
Also linked to
Exceeder by Mason, Perfect (Exceeder) (original) by Mason vs. Princess Superstar and
|
8 | 6:43–6:46 | |||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 6fb4f096-f1da-43d5-8230-7465a4cf36ef | 1 | 6:38 | |||||||||||||||||||||||||||||||||
| G |
fb7ce64b-8213-4736-97a0-4d38b936470e
Also linked to
Perfect (Exceeder) (vocal club mix) by Mason
|
1 | 6:48 | |||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.