open source audio identification
MusicBrainz recording
Maybelline
Johnny Rivers
2:17
698e6e4a-3bd1-4ccc-894b-c7f9ea50d257
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
236
linking them to it
Fingerprints
32
distinct audio files
Duration
2:12–2:20
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ce7eb846-922f-403d-9073-6376e2d46880
Also linked to
Maybelline by Johnny Rivers, Maybelline by Johnny Rivers and
|
10 | 2:16–2:20 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
b4d0e73f-1031-46cc-9ab4-def132e4b7a0
Also linked to
Maybeline by Johnny Rivers, Why Do Fools Fall in Love by Frankie Lymon & The Teenagers
|
5 | 2:14–2:19 | ||||||||||||||||||||||||||||
|
Recordings linked to B
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| C |
f54aeb77-fc40-4f83-8a76-83d5ffeb40a1
Also linked to
Maybelleen by Johnny Rivers
|
3 | 2:16–2:17 | ||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 1690f20e-8962-4840-b3b3-602e25e5c0c2 | 2 | 2:15–2:17 | ||||||||||||||||||||||||||||
| E | b02c7be9-9ea3-4d89-a196-59fbdc9fabe2 | 2 | 2:12–2:15 | ||||||||||||||||||||||||||||
| F | 8cf839b8-fe49-4690-809c-09d90cbbe1d1 | 1 | 2:13 | ||||||||||||||||||||||||||||
| G | 2cf2ff08-2e9d-4e30-851a-d831988a88e1 | 1 | 2:18 | ||||||||||||||||||||||||||||
| H |
06a95fc0-23db-4cff-a000-bcaf6ba4feb1
Also linked to
Maybellene by Chuck Berry
|
4 | 2:18–2:20 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 5d3bc92a-eea2-41be-b459-a48e2f8df019 | 1 | 2:18 | ||||||||||||||||||||||||||||
| J |
a361b30f-4c67-40fe-8a79-5c951d01a4d5
Also linked to
Maybelline by Johnny Rivers
|
1 | 2:16 | ||||||||||||||||||||||||||||
|
Recordings linked to J
|
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| K |
a82f2c47-f315-4b58-b700-d9bb97a0f3e7
Also linked to
Maybeline by Social Distortion
|
2 | 2:20 | ||||||||||||||||||||||||||||
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Recordings linked to K
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.16 | 0.52 | 0.83 | 0.00 | 0.00 | 0.00 | 0.00 | 0.52 | 0.47 | 0.00 |
| B | 0.16 | — | 0.00 | 0.00 | 0.42 | 0.00 | 0.00 | 0.00 | 0.00 | 0.39 | 0.00 |
| C | 0.52 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.68 | 0.37 | 0.00 |
| D | 0.83 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.42 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.36 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.52 | 0.00 | 0.68 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.57 | 0.00 |
| J | 0.47 | 0.39 | 0.37 | 0.00 | 0.36 | 0.00 | 0.00 | 0.00 | 0.57 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |