MusicBrainz recording
Shape of You (acoustic)
Ed Sheeran
3:44
69813c07-79ee-4aea-86cd-2868a6a52f20
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
25
linking them to it
Fingerprints
21
distinct audio files
Duration
3:28–4:26
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
25789715-bd2e-428a-86a5-577e8e4f03d9
Also linked to
Shape of You by Phsycloner
|
2 | 3:43–3:46 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B | 2d22f8bf-407c-4441-a080-2c7508db12a6 | 2 | 3:32–3:34 | ||||||||||||||||||||||||||||||||||||||||||||||||
| C |
17e74de8-a6b6-449a-99eb-45ea36e9c94b
Also linked to
Shape of You by Ed Sheeran, Shape of You by Phsycloner and
|
3 | 4:23–4:26 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
c3704ee4-0005-47bd-8b0c-f5fef4464709
Also linked to
Shape of You by Ed Sheeran
|
2 | 3:28 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
d9b5850a-73ab-4540-a2f3-dee8fc7d40d3
Also linked to
Shape of You (Paul Gannon Bootleg) by Ed Sheeran, Shape of You by Ed Sheeran
|
3 | 3:35–3:37 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
d08e5a33-1f7e-4cba-8000-02422f36366b
Also linked to
Shape of You by Ed Sheeran, Shape of You (instrumental) by Ed Sheeran and
|
6 | 3:53–4:00 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
35dd7dac-86cd-4d74-8d06-106f6910bcd9
Also linked to
Shape of You (Paul Gannon Bootleg) by Ed Sheeran
|
3 | 3:45–3:48 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to G
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.