open source audio identification
MusicBrainz recording
Midnight in Moscow
Kenny Ball & His Jazzmen
3:03
6934881c-e394-4ec8-89ac-cc1e4d6eca38
View on MusicBrainz →
AcoustIDs
4
linked to this recording
Submissions
62
linking them to it
Fingerprints
59
distinct audio files
Duration
2:57–3:05
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
59efd7da-c891-4fce-8204-a5f6d6b2f4b9
Also linked to
Midnight in Moscow by Kenny Ball & His Jazzmen, Midnight in Moscow by Kenny Ball & His Jazzmen and
|
15 | 2:58–3:05 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to A
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| B |
3f028f30-ec7e-4eac-a7c5-81871c9561b5
Also linked to
Midnight in Moscow by Kenny Ball & His Jazzmen, Midnight in Moscow by Kenny Ball & His Jazzmen and
|
6 | 3:02–3:04 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to B
|
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| C |
c651a494-bcdf-439a-aba1-40788d70cbb0
Also linked to
Midnight in Moscow by Kenny Ball & His Jazzmen, Midnight in Moscow by Kenny Ball & His Jazzmen and
|
37 | 2:57–3:03 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to C
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| D | d2e8f94a-f23a-4da9-bdd1-9b4e4b64938f | 1 | 3:02 | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.