open source audio identification
MusicBrainz recording
Solid Rock
Dire Straits
6:56
live, 1992-06-28: Basel, Switzerland
692d9242-915a-46bf-9659-a4a3d97f14c8
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
23
linking them to it
Fingerprints
22
distinct audio files
Duration
5:19–8:19
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
880e7d43-6b59-4609-99bf-6cd59861e779
Also linked to
Solid Rock by Dire Straits, Solid Rock by Dire Straits
|
3 | 6:57 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
899f3879-b893-4837-a501-28e2eb949122
Also linked to
Solid Rock by Dire Straits, Solid Rock by Dire Straits and
|
1 | 5:36 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
3447914a-35e9-4c6c-8729-19abcc001f54
Also linked to
Expresso Love by Dire Straits, Solid Rock by Dire Straits
|
2 | 5:53 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | f019a885-d520-4a8e-9038-45f03f648f4e | 2 | 6:23–6:24 | |||||||||||||||||||||||
| E | 7f65d7eb-1a88-4f60-8e9a-120c78c4e82f | 2 | 5:19–5:22 | |||||||||||||||||||||||
| F |
8b552f06-e340-49f3-bffe-17bceec6fde0
Also linked to
Solid Rock by Dire Straits
|
2 | 7:01 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
498f1e0a-eea6-4cde-9708-8a102edbd7b3
Also linked to
Solid Rock by Dire Straits, Solid Rock by Dire Straits and
|
8 | 5:30–5:35 | |||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 7e9c9973-05f9-417a-97ec-fb055b1fdf8e | 1 | 8:19 | |||||||||||||||||||||||
| I |
ce73b6e5-451f-4cde-8377-dd741e354725
Also linked to
Solid Rock by Dire Straits
|
1 | 5:21 | |||||||||||||||||||||||
|
Recordings linked to I
|
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.81 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.79 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.81 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.75 | 0.00 | 0.00 |
| F | 0.00 | 0.79 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.75 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |