open source audio identification
MusicBrainz recording
Dirty Picture
Taio Cruz feat. Ke$ha
3:39
US version
6901c0ed-512a-4df9-b216-7bdf10396ff9
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
504
linking them to it
Fingerprints
26
distinct audio files
Duration
3:30–3:54
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
0feb1e00-a178-4b85-9c7c-fd6768c565a8
Also linked to
Dirty Picture, Pt. 2 by Ke$ha feat. Taio Cruz, Take It Off by Ke$ha and
|
7 | 3:36–3:41 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
7cef05e9-9a1b-4f0b-bdb5-2c032332a738
Also linked to
Dirty Picture, Pt. 2 by Ke$ha feat. Taio Cruz
|
4 | 3:38–3:40 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
fd1ddee3-9b44-438e-9e52-5cc17d157d1d
Also linked to
Ground Shake by DiRTY RADiO
|
3 | 3:39–3:41 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D | 54605603-e98e-4a11-a1f8-9e6a44b028d8 | 1 | 3:37 | |||||||||||||||||||||||
| E |
e4ee428c-fc41-447d-8686-adbd906c52e3
Also linked to
Dirty Picture, Pt. 2 by Ke$ha feat. Taio Cruz, Take It Off (Billboard remix) by Ke$ha
|
1 | 3:39 | |||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
37bd1ab4-00ab-491a-8473-1e92d0b25c3f
Also linked to
Dirty Picture, Pt. 2 by Ke$ha feat. Taio Cruz
|
4 | 3:48–3:54 | |||||||||||||||||||||||
|
Recordings linked to F
|
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| G | 85b8c36b-1cf7-4b60-be8f-53ea7cdf8206 | 2 | 3:32–3:38 | |||||||||||||||||||||||
| H | 53235fe7-128a-434b-beb0-ed04bad733c8 | 1 | 3:39 | |||||||||||||||||||||||
| I | 9c24005b-ee36-4d19-b0e3-b6bf5151a6ca | 1 | 3:36 | |||||||||||||||||||||||
| J | 523398ab-128a-4d9c-a9b8-774d4c502b7e | 1 | 3:30 | |||||||||||||||||||||||
| K | ae5f2fca-994d-4065-9860-ce5e6cd79b0c | 1 | 3:31 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.42 | 0.00 | 0.65 | 0.52 | 0.86 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.42 | — | 0.00 | 0.33 | 0.00 | 0.44 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.65 | 0.33 | 0.00 | — | 0.35 | 0.60 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.52 | 0.00 | 0.00 | 0.35 | — | 0.50 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.86 | 0.44 | 0.00 | 0.60 | 0.50 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |