MusicBrainz recording
Wanted Dead or Alive (acoustic version)
Bon Jovi
5:37
683b0cf0-ef64-41af-a48a-2831242e9bac
View on MusicBrainz →
AcoustIDs
10
linked to this recording
Submissions
58
linking them to it
Fingerprints
69
distinct audio files
Duration
2:38–6:13
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d704898a-537f-4d02-bc6b-fba9845abd93
Also linked to
Wanted Dead or Alive by Bon Jovi, Wanted Dead or Alive by Bon Jovi and
|
3 | 5:34–5:36 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
6923e601-cea4-4494-bcbc-b2492567c435
Also linked to
Wanted Dead or Alive (acoustic version) by Bon Jovi, Wanted Dead or Alive by Bon Jovi and
|
3 | 5:29–5:32 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | e3d77cb3-b890-4578-a379-eae304aa379d | 2 | 5:37–5:39 | ||||||||||||||||||||||||||||||||||||||
| D | 9c97fc40-a9f1-4c26-8a33-4e95f63e740f | 1 | 5:30 | ||||||||||||||||||||||||||||||||||||||
| E |
42a4e543-6216-4cd2-9e1a-9e4b065e6d52
Also linked to
Wanted Dead or Alive by Bon Jovi, Wanted Dead or Alive by Bon Jovi and
|
55 | 5:04–5:11 | ||||||||||||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F | 26af1dea-928a-4dba-a394-550251dd2218 | 1 | 6:13 | ||||||||||||||||||||||||||||||||||||||
| G |
448bd715-5873-4ef7-b546-340a13e6ea75
Also linked to
Instrumental by Bon Jovi, Wanted Dead or Alive by Bon Jovi and
|
1 | 2:38 | ||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
|
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| H | f314291a-640c-4a79-b894-9da2cc53e276 | 1 | 5:30 | ||||||||||||||||||||||||||||||||||||||
| I | db9792bc-2706-4a9c-83dd-521a231734bd | 1 | 5:30 | ||||||||||||||||||||||||||||||||||||||
| J | 9f82abd4-cd8c-4a83-86c7-c48a6ea48998 | 1 | 5:23 | ||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | |
|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.00 | 0.00 | 0.00 | 1.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.80 | 0.56 | 0.00 | 0.00 | 0.00 | 0.48 | 0.43 | 0.00 |
| C | 0.00 | 0.80 | — | 0.61 | 0.00 | 0.00 | 0.00 | 0.52 | 0.45 | 0.00 |
| D | 0.00 | 0.56 | 0.61 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.33 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 1.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.48 | 0.52 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.47 | 0.00 |
| I | 0.00 | 0.43 | 0.45 | 0.33 | 0.00 | 0.00 | 0.00 | 0.47 | — | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |