open source audio identification
MusicBrainz recording
Night Time Is the Right Time
Creedence Clearwater Revival
3:24
live, 1970-01-31: Oakland Coliseum, Oakland, CA, USA
67d530bb-690d-48dc-ab6d-ee36c243ee33
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
815
linking them to it
Fingerprints
65
distinct audio files
Duration
3:04–3:33
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
67f91544-77f6-44f0-a587-39ed2da6c015
Also linked to
The Night Time Is the Right Time by Creedence Clearwater Revival
|
9 | 3:22–3:29 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
8c16d2f3-be81-458a-85b7-3f803506e0d5
Also linked to
Night Time Is the Right Time by Creedence Clearwater Revival, Long as I Can See the Light by Creedence Clearwater Revival
|
10 | 3:25–3:30 | ||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | 71987127-9f66-4fb1-bd5d-3c9c414c705d | 2 | 3:20–3:21 | ||||||||||||||||||||||||||||||||||||||||||||||||
| D | 34ce3b64-c13b-4098-96ed-e076ace74b7d | 1 | 3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
| E | 216993fe-601f-4221-83f8-766653262a48 | 1 | 3:33 | ||||||||||||||||||||||||||||||||||||||||||||||||
| F | 2be73345-cf64-47d9-bf27-4b9ae53ac7e3 | 1 | 3:29 | ||||||||||||||||||||||||||||||||||||||||||||||||
| G | 7d454a4e-5f4a-4cda-8f10-bd0641ff7206 | 1 | 3:30 | ||||||||||||||||||||||||||||||||||||||||||||||||
| H |
5120d6ea-6882-44d4-b63e-8b9482229fc1
Also linked to
The Night Time Is the Right Time by Creedence Clearwater Revival, The Night Time Is the Right Time by Creedence Clearwater Revival and
|
33 | 3:04–3:10 | ||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to H
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| I | 624ffb27-1e97-48d4-8d40-272e14c92ac4 | 1 | 3:22 | ||||||||||||||||||||||||||||||||||||||||||||||||
| J | f1778c42-1aa2-47b1-9d63-3a76f68d41be | 1 | 3:21 | ||||||||||||||||||||||||||||||||||||||||||||||||
| K | 2cfb069a-c45b-45be-b256-bca366c58585 | 1 | 3:19 | ||||||||||||||||||||||||||||||||||||||||||||||||
| L | 93108882-c67c-4713-813c-f8cd57d9cdfb | 4 | 3:21–3:25 | ||||||||||||||||||||||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.84 | 0.82 | 0.00 | 0.86 | 0.00 | 0.32 | 0.00 | 0.18 | 0.00 | 0.00 | 0.63 |
| B | 0.84 | — | 0.76 | 0.00 | 0.85 | 0.00 | 0.29 | 0.00 | 0.18 | 0.00 | 0.00 | 0.51 |
| C | 0.82 | 0.76 | — | 0.00 | 0.71 | 0.00 | 0.30 | 0.00 | 0.18 | 0.00 | 0.00 | 0.56 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.86 | 0.85 | 0.71 | 0.00 | — | 0.00 | 0.32 | 0.00 | 0.00 | 0.00 | 0.00 | 0.61 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.32 | 0.29 | 0.30 | 0.00 | 0.32 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.30 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.18 | 0.18 | 0.18 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.15 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.61 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.63 | 0.51 | 0.56 | 0.00 | 0.61 | 0.00 | 0.30 | 0.00 | 0.15 | 0.61 | 0.00 | — |