open source audio identification
MusicBrainz recording
Rien de rien
Édith Piaf
2:20
de l’opérette "La P’tite Lily"
67600bda-453e-4d9e-879f-e95febc886ea
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
269
linking them to it
Fingerprints
62
distinct audio files
Duration
2:15–2:28
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | 8210520f-3856-4fe1-b200-bd3a2e9a1951 | 17 | 2:17–2:24 | ||||||||||||||||||||||||||||
| B | a8aa0e3c-18e6-4ae3-bd95-50f5418e342e | 1 | 2:25 | ||||||||||||||||||||||||||||
| C | 45b737cc-26c7-4f5e-8803-730927bf7d18 | 3 | 2:20–2:21 | ||||||||||||||||||||||||||||
| D | cd3e2138-43b0-479b-a3cb-810234612675 | 2 | 2:20 | ||||||||||||||||||||||||||||
| E | 7b0b9e39-da3b-4f08-93e3-9c5ab6c4c292 | 3 | 2:20–2:22 | ||||||||||||||||||||||||||||
| F |
1cad01ca-8048-4e7c-bde0-0388ec08d781
Also linked to
La Valse de l’amour by Édith Piaf
|
21 | 2:17–2:24 | ||||||||||||||||||||||||||||
|
Recordings linked to F
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| G |
e66bf059-dcee-471a-88b5-ef7c8e3e7ce9
Also linked to
Non, je ne regrette rien by Édith Piaf
|
15 | 2:19–2:25 | ||||||||||||||||||||||||||||
|
Recordings linked to G
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| H |
dd3672d6-125c-471d-9d57-d5f73abded79
Also linked to
Non, je ne regrette rien by Édith Piaf, Non, je ne regrette rien by Édith Piaf and
|
32 | 2:17–2:24 | ||||||||||||||||||||||||||||
|
Recordings linked to H
|
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| I | 6419ce49-d55b-4596-853c-48641b342998 | 1 | 2:28 | ||||||||||||||||||||||||||||
| J |
6fc0d509-cf73-478f-8808-1a8c6153ce50
Also linked to
La Vie en rose by Édith Piaf
|
36 | 3:04–3:11 | ||||||||||||||||||||||||||||
|
Recordings linked to J
|
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| K | 340e0def-af64-4c4e-975d-4d74cdd12fa2 | 1 | 2:19 | ||||||||||||||||||||||||||||
| L | 8567ff5e-c71b-48fe-b79e-6d647350cc22 | 2 | 2:15–2:16 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.60 | 0.56 | 0.43 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.49 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.60 | 0.00 | — | 0.55 | 0.53 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.56 | 0.00 | 0.55 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.43 | 0.00 | 0.53 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.49 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.49 | 0.00 | 0.00 | 0.00 | 0.00 | 0.49 | — | 0.00 | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |