open source audio identification
MusicBrainz recording
The Matador
Johnny Cash
2:46
674712ef-049f-4bdf-b36f-d22472e17c0d
View on MusicBrainz →
AcoustIDs
12
linked to this recording
Submissions
612
linking them to it
Fingerprints
20
distinct audio files
Duration
2:36–2:56
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
74e1d971-35a1-47be-b97e-e2f2dffd12e2
Also linked to
The Matador by Johnny Cash
|
4 | 2:44–2:46 | ||||||||||||||||||
|
Recordings linked to A
|
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| B | 75faf197-f966-492e-925a-282ffeaa5114 | 2 | 2:49 | ||||||||||||||||||
| C |
c7ff0fd1-ab42-40aa-90ee-83236d3466f4
Also linked to
The Matador by Johnny Cash
|
2 | 2:45–2:46 | ||||||||||||||||||
|
Recordings linked to C
|
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| D |
77ab3dd6-9950-4dcb-a591-4bbf073acb4b
Also linked to
A Song to Mama (& The Carter Family) by Johnny Cash
|
2 | 2:38 | ||||||||||||||||||
|
Recordings linked to D
|
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| E | 4cc68900-d8ec-4185-b7e8-b4371b573671 | 1 | 2:44 | ||||||||||||||||||
| F | 7d7891f6-6d76-4cb5-920a-ebae6e5fef14 | 2 | 2:42 | ||||||||||||||||||
| G | a1810bc6-9631-4a94-a991-4b858f33cadc | 1 | 2:41 | ||||||||||||||||||
| H | 9f546a93-d2db-4407-9cb9-a876143c71dd | 1 | 2:49 | ||||||||||||||||||
| I |
f62dd2c3-97c8-44e4-b6f4-b595265aba26
Also linked to
The Big Light by Johnny Cash, You’re the Nearest Thing to Heaven by Johnny Cash
|
1 | 2:45 | ||||||||||||||||||
|
Recordings linked to I
|
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| J |
9b539de1-aa3f-4395-bbf0-bb5a731c4f41
Also linked to
The Matador (original) by Johnny Cash
|
1 | 2:44 | ||||||||||||||||||
|
Recordings linked to J
|
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| K |
017033aa-c02b-4dd9-b5ce-4e5bced6d5ab
Also linked to
I Take the Chance by Ernie Ashworth
|
2 | 2:36–2:40 | ||||||||||||||||||
|
Recordings linked to K
|
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| L | e0242db9-1112-4a06-a3d0-3071a1f91a3a | 1 | 2:56 | ||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | L | |
|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.48 | 0.00 | 0.51 | 0.53 | 0.00 | 0.00 | 0.00 | 0.44 | 0.00 | 0.91 |
| B | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.48 | 0.00 | — | 0.00 | 0.39 | 0.00 | 0.00 | 0.00 | 0.00 | 0.45 | 0.00 | 0.47 |
| D | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.51 | 0.00 | 0.39 | 0.00 | — | 0.62 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.52 |
| F | 0.53 | 0.00 | 0.00 | 0.00 | 0.62 | — | 0.00 | 0.00 | 0.00 | 0.39 | 0.00 | 0.55 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.47 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| J | 0.44 | 0.00 | 0.45 | 0.00 | 0.00 | 0.39 | 0.00 | 0.47 | 0.00 | — | 0.00 | 0.43 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| L | 0.91 | 0.00 | 0.47 | 0.00 | 0.52 | 0.55 | 0.00 | 0.00 | 0.00 | 0.43 | 0.00 | — |