MusicBrainz recording
(How Little It Matters) How Little We Know
Frank Sinatra
2:40
1956 original studio master
65d8ac97-da9b-4580-aed8-0758723ac837
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
628
linking them to it
Fingerprints
26
distinct audio files
Duration
2:31–3:38
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
ff6612ed-8203-4af8-bf18-4c98c2e41511
Also linked to
How Little It Matters, How Little We Know by Frank Sinatra, How Little We Know by Frank Sinatra
|
9 | 2:37–2:41 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
97099474-22a4-4f01-8ee0-84f0403e8deb
Also linked to
How Little We Know by Frank Sinatra, How Little We Know by Frank Sinatra and
|
4 | 2:42–2:44 | |||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||
| C | 13da5d0f-2983-498b-bb34-7e0606c5c5f1 | 2 | 2:39 | |||||||||||||||||||||||
| D | b5b934e5-c144-4519-b0d1-8c8b5b3dc506 | 2 | 2:42 | |||||||||||||||||||||||
| E | 22d85c03-9531-4c83-b3a0-3622d8a0ce83 | 1 | 2:40 | |||||||||||||||||||||||
| F | 39c380ea-3e1b-4522-b4a1-c7b1ab9845e6 | 1 | 2:40 | |||||||||||||||||||||||
| G | e0617aa6-9ca1-4706-b7e6-3d4a6907c051 | 1 | 2:52 | |||||||||||||||||||||||
| H | 0687f8db-de20-4642-a3cd-9d4575c270ff | 1 | 2:31 | |||||||||||||||||||||||
| I |
2060839c-7f00-4fe1-aab5-b9bf09655993
Also linked to
It’s Sunday by Frank Sinatra, It’s Sunday by Frank Sinatra
|
3 | 3:35–3:38 | |||||||||||||||||||||||
|
Recordings linked to I
|
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| J | ab9a7804-b009-4a4c-bf03-c937ed4b1b15 | 1 | 3:09 | |||||||||||||||||||||||
| K | 5fc55456-d392-4ffd-ab34-ff30987a97e8 | 1 | 2:45 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.44 | 0.00 | 0.00 | 0.00 | 0.00 | 0.44 | 0.53 | 0.00 | 0.44 | 0.00 |
| B | 0.44 | — | 0.00 | 0.36 | 0.00 | 0.00 | 0.95 | 0.00 | 0.00 | 0.95 | 0.00 |
| C | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 |
| D | 0.00 | 0.36 | 0.00 | — | 0.00 | 0.00 | 0.38 | 0.00 | 0.00 | 0.38 | 0.00 |
| E | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.44 | 0.95 | 0.00 | 0.38 | 0.00 | 0.00 | — | 0.00 | 0.00 | 1.00 | 0.00 |
| H | 0.53 | 0.00 | 0.55 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.44 | 0.95 | 0.00 | 0.38 | 0.00 | 0.00 | 1.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |