MusicBrainz recording
Oh, What It Seemed to Be
Frank Sinatra
3:29
1963 original studio master
659a4866-7f74-4163-a2e7-40e68cc7a3eb
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
137
linking them to it
Fingerprints
37
distinct audio files
Duration
2:28–3:27
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
3746d0cd-765d-4e34-920c-2231ccfbc506
Also linked to
Oh! What It Seemed to Be by Frank Sinatra
|
2 | 3:25–3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to A
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| B | 565cb6f0-80d4-4e74-8800-13a2bef927dd | 1 | 3:26 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| C |
09067f5a-8165-48a8-8e09-82c61c1b2f7b
Also linked to
Oh, What It Seemed to Be by Frank Sinatra, Oh! What It Seemed to Be by Frank Sinatra
|
3 | 2:28–2:29 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
|
Recordings linked to C
|
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| D | b5966124-3701-4432-a130-6d057f39631b | 1 | 3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| E | b8d8b0ff-b061-4bb2-93e0-1ad64409c9e5 | 1 | 3:27 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
| F |
70c8121b-3918-4225-903f-10e5ef4c6244
Also linked to
Oh, What It Seemed to Be by Frank Sinatra with Axel Stordahl & His Orchestra, Oh, What It Seemed to Be by Frank Sinatra and
|
17 | 2:58–3:02 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to F
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| G |
0af11b17-b076-408d-aedb-95783ba209d3
Also linked to
Oh, What It Seemed to Be by Frank Sinatra with Axel Stordahl & His Orchestra, Oh What It Seemed to Be by Frank Sinatra and
|
12 | 3:02–3:08 | ||||||||||||||||||||||||||||||||||||||||||||||||||||||||||
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Recordings linked to G
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Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.