open source audio identification
MusicBrainz recording
Living Inside Myself
Gino Vannelli
4:23
656c0cee-e56e-4c4a-932a-57d8703b68b3
View on MusicBrainz →
AcoustIDs
11
linked to this recording
Submissions
383
linking them to it
Fingerprints
45
distinct audio files
Duration
3:54–4:35
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
d94209f1-60eb-40e6-8660-2a6d12f4fbbf
Also linked to
Living Inside Myself by Gino Vannelli, Put the Weight on My Shoulders by Gino Vannelli and
|
16 | 4:17–4:24 | |||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
0f0c1625-245c-410d-bc0d-deba026a9620
Also linked to
No One Is to Blame by Howard Jones
|
7 | 4:24–4:26 | |||||||||||||||||||||||
|
Recordings linked to B
|
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| C |
c3aac163-b831-4e6c-9322-555ba79540d9
Also linked to
Living Inside Myself by Gino Vannelli
|
5 | 4:25 | |||||||||||||||||||||||
|
Recordings linked to C
|
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| D |
e7042e83-a59d-4eaf-b7ca-86a343108f01
Also linked to
Living Inside Myself by Gino Vannelli, Living on the Ceiling by Blancmange and
|
6 | 3:59–4:03 | |||||||||||||||||||||||
|
Recordings linked to D
|
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| E | 06997c4e-b60f-4451-8799-841ed5754367 | 1 | 4:35 | |||||||||||||||||||||||
| F | 8fd3b9cc-47f3-4319-a094-89077016e274 | 2 | 4:13–4:16 | |||||||||||||||||||||||
| G | aae6fc9b-7b8b-4b5b-a00d-a2352b463c0e | 1 | 3:54 | |||||||||||||||||||||||
| H | b92edc5e-8838-4828-8c31-2bc45d07546a | 2 | 4:22 | |||||||||||||||||||||||
| I | 4467fa8d-b348-4338-8d51-048c29137417 | 1 | 4:23 | |||||||||||||||||||||||
| J | d7d1e318-0cf1-47fc-a436-af8e1f1a05bb | 3 | 4:23 | |||||||||||||||||||||||
| K | c315c2c0-3c71-4c6b-8c01-c1927fa37378 | 1 | 4:26 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | J | K | |
|---|---|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.69 | 0.88 | 0.48 | 0.92 | 0.79 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| B | 0.69 | — | 0.73 | 0.63 | 0.74 | 0.80 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| C | 0.88 | 0.73 | — | 0.47 | 0.88 | 0.83 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| D | 0.48 | 0.63 | 0.47 | — | 0.00 | 0.52 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| E | 0.92 | 0.74 | 0.88 | 0.00 | — | 0.81 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| F | 0.79 | 0.80 | 0.83 | 0.52 | 0.81 | — | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 |
| G | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.57 | 0.00 | 0.00 | 0.55 |
| H | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.57 | — | 0.00 | 0.00 | 0.64 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| J | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — | 0.00 |
| K | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.55 | 0.64 | 0.00 | 0.00 | — |