open source audio identification
MusicBrainz recording
So Good to Be Here
Al Green
2:47
64742247-f2e4-4634-8fdb-e5d8d037287f
View on MusicBrainz →
AcoustIDs
9
linked to this recording
Submissions
206
linking them to it
Fingerprints
22
distinct audio files
Duration
2:36–2:49
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | |||||||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
6987beed-2b7b-4b5f-82fb-f06ad934c654
Also linked to
So Good to Be Here by Al Green, So Good to Be Here by Al Green
|
7 | 2:44–2:47 | ||||||||||||||||||||||||||||
|
Recordings linked to A
|
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| B |
ea65437a-fc72-47ed-81a1-275d261e3d1a
Also linked to
So Good to Be Here by Al Green, So Good to Be Here by Al Green and
|
4 | 2:36–2:42 | ||||||||||||||||||||||||||||
|
Recordings linked to B
|
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| C | a09838db-cc60-454b-951a-0a823e94cf8a | 1 | 2:47 | ||||||||||||||||||||||||||||
| D |
29b45b95-2a1d-4c63-b1cc-377bb53ab442
Also linked to
So Good to Be Here by Al Green
|
3 | 2:48–2:49 | ||||||||||||||||||||||||||||
|
Recordings linked to D
|
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| E |
7a7b47ae-b5fe-43f8-9235-bb0949a44d66
Also linked to
So Good to Be Here by Al Green
|
1 | 2:44 | ||||||||||||||||||||||||||||
|
Recordings linked to E
|
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| F |
c4c3968d-6cc0-426d-b112-29db62b81d40
Also linked to
So Good to Be There (live) by Al Green, So Good to Be Here by Al Green
|
2 | 2:41 | ||||||||||||||||||||||||||||
|
Recordings linked to F
|
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| G |
e1e81264-171f-4c42-8ef3-ea173c8e342e
Also linked to
So Good to Be Here by Al Green
|
2 | 2:44–2:46 | ||||||||||||||||||||||||||||
|
Recordings linked to G
|
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| H | 18bf1115-2f19-4ab2-b4b9-5ac7bcf4b944 | 1 | 2:42 | ||||||||||||||||||||||||||||
| I | 6247b84c-6d52-4303-b6ad-001fa86c0525 | 1 | 2:44 | ||||||||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.
| A | B | C | D | E | F | G | H | I | |
|---|---|---|---|---|---|---|---|---|---|
| A | — | 0.00 | 0.66 | 0.42 | 0.00 | 0.00 | 0.70 | 0.00 | 0.00 |
| B | 0.00 | — | 0.00 | 0.00 | 0.84 | 0.53 | 0.00 | 0.66 | 0.00 |
| C | 0.66 | 0.00 | — | 0.54 | 0.00 | 0.00 | 0.61 | 0.00 | 0.00 |
| D | 0.42 | 0.00 | 0.54 | — | 0.00 | 0.00 | 0.39 | 0.00 | 0.00 |
| E | 0.00 | 0.84 | 0.00 | 0.00 | — | 0.51 | 0.00 | 0.66 | 0.00 |
| F | 0.00 | 0.53 | 0.00 | 0.00 | 0.51 | — | 0.00 | 0.00 | 0.00 |
| G | 0.70 | 0.00 | 0.61 | 0.39 | 0.00 | 0.00 | — | 0.00 | 0.00 |
| H | 0.00 | 0.66 | 0.00 | 0.00 | 0.66 | 0.00 | 0.00 | — | 0.00 |
| I | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | 0.00 | — |