open source audio identification
MusicBrainz recording
A Love Supreme, Part 3: Pursuance / A Love Supreme, Part 4: Psalm
John Coltrane
17:51
original stereo studio master
63c50c72-13de-4e02-b6af-608ec8b083dc
View on MusicBrainz →
AcoustIDs
7
linked to this recording
Submissions
873
linking them to it
Fingerprints
45
distinct audio files
Duration
7:17–18:00
range of submitted files
AcoustIDs
| AcoustID | Most common fingerprint | Fingerprints | Length | Sources | ||||||||||||||||||||||
|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|---|
| A |
4e998d30-7bf6-4f25-95c9-d71035fc6a1e
Also linked to
A Love Supreme, Part 3: Pursuance / A Love Supreme, Part 4: Psalm by John Coltrane
|
11 | 17:50–17:56 | |||||||||||||||||||||||
|
Recordings linked to A
|
||||||||||||||||||||||||||
| B |
480c616a-544a-4691-9feb-e1f31d9b05da
Also linked to
A Love Supreme, Part 3: Pursuance / A Love Supreme, Part 4: Psalm by John Coltrane
|
3 | 17:51–17:58 | |||||||||||||||||||||||
|
Recordings linked to B
|
||||||||||||||||||||||||||
| C |
dce23f01-e803-4552-a19b-1e2f01f0c428
Also linked to
A Love Supreme, Part 3: Pursuance / A Love Supreme, Part 4: Psalm by John Coltrane
|
4 | 17:45–17:50 | |||||||||||||||||||||||
|
Recordings linked to C
|
||||||||||||||||||||||||||
| D | ac4195f7-8722-4c0b-b4bd-8b22892d36b3 | 2 | 17:57–18:00 | |||||||||||||||||||||||
| E |
869e4a71-19dc-4b50-a267-d760da4db68a
Also linked to
A Love Supreme, Part 3: Pursuance / A Love Supreme, Part 4: Psalm by John Coltrane
|
3 | 17:43–17:44 | |||||||||||||||||||||||
|
Recordings linked to E
|
||||||||||||||||||||||||||
| F |
1e7c1d0f-7ea9-48c0-bc68-6d0a27b9dd94
Also linked to
A Love Supreme, Part 2: Resolution by John Coltrane, A Love Supreme, Part 2: Resolution by John Coltrane and
|
21 | 7:17–7:24 | |||||||||||||||||||||||
|
Recordings linked to F
|
||||||||||||||||||||||||||
| G | 1fabccbb-5fbf-47e5-afce-c38f75f8d111 | 1 | 17:50 | |||||||||||||||||||||||
Are they the same audio?
Each cell compares the most common fingerprints of two of these AcoustIDs. High scores mean the same audio was split into separate AcoustIDs, while low scores are expected for different versions, edits or masterings of the recording.